MARC Record from harvard_bibliographic_metadata

LEADER: 02126nam a2200241 4500
001 000682892-2
005 20020606090541.3
008 740417s1974 nyu b 00010 eng
010 $a 73090348 //r91
035 0 $aocm00884420
040 $aDLC$cDLC
050 00 $aPN3331$b.H33
082 00 $a808.3/3
100 1 $aHalperin, John,$d1941-
245 14 $aThe theory of the novel;$bnew essays.$cEdited by John Halperin.
260 0 $aNew York,$bOxford University Press,$c1974.
300 $axi, 396 p.$c22 cm.
505 0 $aHalperin, J. The theory of the novel: a critical introduction.--The genre today: Sternberg, M. What is exposition? An essay in temporal delimitation. Martin, R. B. Notes toward a comic fiction. Buchen, I. H. The aesthetics of the supra-novel. Litz, A. W. The genre of Ulysses. Friedman, A. W. The modern multivalent novel: form and function. Schulz, M. F. Characters (contra characterization) in the contemporary novel. Kermode, F. Novel and narrative.--The genre today revisited: fiction and cinematography: Edel, L. Novel and camera. Fiedler, L. A. The death and rebirth of the novel.--Literary realism and the facts of life: Kaminsky, A. R. On literary realism. Levine, G. Realism reconsidered. Loofbourow, J. W. Realism in the Anglo-American novel: the pastoral myth. Mudrick, M. Looking for Kellermann; or, Fiction and the facts of life.--Tone, intention, and point of view: Wright, W. F. Tone in fiction. Heilman, R. B. Two-tone fiction: nineteenth-century types and eighteenth-century problems. Allen, W. Narrative distance, tone, and character. Fogle, R. H. Illusion, point of view, and modern novel-criticism. Krook, D. Intentions and intentions: The problem of intention and Henry James's The turn of the screw.--The Europeans. Halperin, J. Twentieth-century trends in continental novel-theory.--Approaches to fiction: a select descriptive bibliography (p. [389]-392)
504 $aBibliography: p.389-392.
650 0 $aFiction.
776 08 $iOnline version:$aHalperin, John, 1941-$tTheory of the novel.$dNew York, Oxford University Press, 1974$w(OCoLC)593028100
988 $a20020608
906 $0DLC