MARC Record from harvard_bibliographic_metadata

LEADER: 07410nam a2200361I 4500
001 000702548-3
005 20090109140257.0
008 750702|1948||||||| |||||||eng u
010 $a 48011001 *
035 0 $aocm01427787
040 $cDZM
050 04 $aBV150$b.V6 1948
100 1 $aVogt, Von Ogden,$d1879-1964.
245 10 $aArt & religion /$cby Von Ogden Vogt.
246 3 $aArt and religion
250 $aRev. ed.
260 0 $aBoston,$bBeacon Press,$c1948.
300 $axvii, 280 p.$billus.$c22 cm.
500 $aIncludes music.
505 0 $a1. Introduction: Truth, goodness, and beauty ; The new age ; The close of the reformation age ; Protestant negation of the arts ; Catholic acceptance of modernism ; The art of worship the all-comprehending art ; Proposals for examining the connections of art and religion, historical, psychological, and practical ; Proposals of liturgical principles and materials ; Proposals for architectural style, tone, significance, and tendencies ; Current writings about the new age -- 2. An age described by its art: No satisfactory art in a nondescript age ; The arts born of the national and time spirit ; The relations of art to unifies life ; The youth, size, and complexity of American life ; The coming description -- 3. The unity of religion and art: Religion the source of primitive arts ; Religion the principal subject matter of historic art ; The inner identity of the mystic and aesthetic experience ; The demand for unity in composition and in reality ; The feeling of satisfaction derived from beauty and from being the creativity of art and of religion
505 0 $a4. The cleft between art and religion: The cleft between religion and science ; The cleft between religion and morals ; The cleft between religion and art ; The roman mass ; Catholic architecture ; The Anglican prayer book ; Protestant forms ; American church architecture -- 5. The mutual need: The world of the arts the source of spiritual life for many ; The world of religion ; Art needs religion -- To universalize its concepts, to supply moral content ; Religion needs the arts -- to be impressive, to get a hearing, to be enjoyable, to assist reverence, to symbolize old truths, to heighten the imagination, to fire resolves -- 6. Corporeality in religion: The corporeality of objects and acts ; The corporeality of creeds ; The corporeality of crude excitement -- 7. The sensational character of art: The sensational preacher ; Modern view of human nature ; Sensational conduct of ancient religious teachers ; The sense appeal of the Japanese temple and of the English cathedral -- 8. A brief for the cultus: Religious culture primary in religion ; Its historical recognition ; Its apparatus or ritual ; The necessity of religious acts ; The source of perpetuity ; The sermon an insufficient basis for religious culture ; The background of change ; Modern possibilities
505 0 $a9. Prophet and priest: The conflict between reforming prophets and conserving priests ; The prophet as instrument of change ; The priest as teacher, spiritual adviser, pastor, and artist -- 10. The artist as prophet: Traditionalism preserved by the arts ; The aloofness and lawlessness of artists ; The historic divergence of artistic forms from their content, Egyptian, Greek, Italian ; New ideas through the arts ; The permanence of beauty -- 11. Symbols and sacraments: Classic and romantic methods ; Universality and power of symbols ; Danger of symbols ; Idolatry ; The meaning of a sacrament ; The spiritual presence ; The material elements ; Baptism and the Eucharist ; Objective value and validity ; Transubstantiation of persons -- 12. Religious education: Observing beauty ; Modern religion weakly impressive ; The power of ritual ; Worship in the church school ; Children in the church service ; Adult education in religion ; Theological schools deficient in religious culture ; The state university and the Christian college
505 0 $a13. Church unity: Difficulties of unity in thought and action ; The unifying effects of feeling ; The desire for more inclusive religious experience ; The incompleteness of separate types ; The service of art in promoting unity ; The revival of mediaevalism, liturgically and architecturally ; The community church ; The flank attack in debate ; Universal similarity of mystic experiences ; -- 14. Technique and freedom : The positive character of freedom ; Futility of complete independency ; The incoherence of liberalism ; The necessity for critically improved technique in worship ; A new service book ; Scholarship in liturgics ; Ceremonial ; Freedom not the gift of formlessness but the mastery of form -- 15. The mysticism of Isaiah : The identity of the experience of worship and that of beauty ; The elements of the experience: vision, humility, exaltation, illumination, dedication ; Isaiah's great record -- 16. The order of the liturgy : Outer expression in the order of worship parallel to the elements of the inner experience of worship ; The principal liturgical parts ; Dramatic unity ; Miss Underhill's analysis of the mass ; The need for experiment
505 0 $a17. Introit and Antiphons : The revival of the Introit ; Materials for it ; Process of ideas in it ; Copies of antiphonals used at the Wellington Avenue church -- 18. Music : Music the highest art ; The unity of the service ; Faults of anthems ; The matrix of the service ; Members of the choir as ministers in the sanctuary ; Antiphonals ; Especially composed services -- 19. Architectural style : Sketch of Greek, Roman, Byzantine, Gothic, and Renaissance building, together with meanings intimidated by these historic styles ; Current style revivals in Gothic and classic strains ; The question of style revival or translation ; The new architecture -- 20. Structural tone : Tonal effects of interiors ; The faults of neutrality, comfortableness, coldness, agitations ; The virtues of repose, austerity, warmth and brilliance ; The effects of proportion, scale and materials -- 21. The chancel : The historic Christians church chancel ; Its revival amongst non-liturgical churches ; The artistic high light, the differentiation of liturgical parts, practical convenience ; Recent opinions ; The use of altar and candle light ; Ineffective compromises ; Adaptability of the chancel
505 0 $a22. Practicable matters : Educational and social facilities of the church building ; Placement of the structure ; Problems of the smaller church ; Partial construction ; The aesthetic character of practicability -- 23. Religious ideas for the architect : A house of God ; A house of man ; A house of salvation ; The intimations of modern free thinking, brotherhood and art -- 24. the future church : The delimitation of church functions ; Integrations of the new age ; The mergence of historic faith and natural religion, in the apostolic age, in the coming age ; A time of formation ; Truth, goodness, beauty ; The primary category ; Survey of the character of the coming cultus ; Christian content in ancient categories
650 0 $aArt and religion.
650 0 $aChurch architecture.
650 0 $aChristian art and symbolism.
650 0 $aLiturgies.
650 0 $aChurch.
776 08 $iOnline version:$aVogt, Von Ogden, 1879-1964.$tArt & religion.$bRev. ed.$dBoston, Beacon Press, 1948$w(OCoLC)756441765
988 $a20020608
906 $0MH