| Record ID | harvard_bibliographic_metadata/ab.bib.00.20150123.full.mrc:582458933:1450 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01450cam a2200241 i 4500
001 000714682-5
005 20020606090541.3
008 760303s1976 nyu b 00000 eng
010 $a 76000943 //r76
020 $a0070227691 :$c$2.45
035 0 $aocm02020463
040 $aDLC$cDLC
245 00 $aEugene O'Neill :$ba collection of criticism /$cedited by Ernest G. Griffin.
260 0 $aNew York :$bMcGraw-Hill,$cc1976.
300 $aviii, 151 p. ;$c20 cm.
490 0 $aContemporary studies in literature
490 0 $aMcGraw-Hill paperbacks
504 $aBibliography: p. 139-151.
505 0 $aGriffin, E. G. Eugene O'Neill.--Engel, E. A. Ideas in the plays of Eugene O'Neill.--Carpenter, F. I. Eugene O'Neill, the Orient, and American transcendentalism.--Gillett, P. J. O'Neill and the racial myths.--Asselineau, R. Desire under the elms.--Winchester, O. W. Eugene O'Neill's Strange interlude as a transcript of America in the 1920's.--Raleigh, J. H. Mourning becomes Electra and A touch of the poet.--Olson, E. Modern drama and tragedy.--Bogard, T. The iceman cometh.--Andreach, R. J. O'Neill's women in The iceman cometh.--Tiusanen, T. Through the fog into the monologue.--Törnqvist, E. Parallel characters and situations in Long day's journey into night.--Bentley, E. Eugene O'Neill's pietà.
600 10 $aO'Neill, Eugene,$d1888-1953$xCriticism and interpretation.
700 1 $aGriffin, Ernest G.,$d1916-
988 $a20020608
906 $0DLC