MARC Record from harvard_bibliographic_metadata

LEADER: 01979cam a2200349 i 4500
001 000714742-2
005 20020606090541.3
008 760203s1976 nyua 00000 eng
010 $a 76003555
020 $a0826119603
035 0 $aocm02020844
040 $aDLC$cDLC$dCLU
050 0 $aN71$b.V57
060 00 $aN 71$bV831 1976
082 $a701/.15
245 00 $aVision and artifact /$cMary Henle, editor ; foreword by Rudolf Arnheim.
260 0 $aNew York :$bSpringer Pub. Co.,$cc1976.
300 $axviii, 186 p. :$bill. ;$c24 cm.
505 0 $aVisual perception: Held, R. Single vision with doubled images. Metelli, F. What does "more transparent" mean? Kanizsa, G. and Gerbino, W. Convexity and symmetry in figure-ground organization. Kennedy, J. M. Attention, brightness, and the constructive eye. Jameson, D. and Hurvich, L. M. From contrast to assimilation. Wallach, H. The apparent rotation of pictorial scenes. Gibson, J. J., et al. The change from visible to invisible.--Visual thinking: Schaefer-Simmern, H. Basic structures in the earliest beginnings of artistic activity. Nash, E. Hidden visual patterns in Roman architecture and ruins. Gardner, H. Illuminating comparisons in the arts.--Artifact : Sekler, E. F. Le Corbusier's use of a "pictorial word" in his tapestry La femme et le moineau. Teuber, M. L. Blue night by Paul Klee. Zucker, W. M. The representation of the invisible. Hess, W. Formal analysis of a painting by Jan Vermeer. Ashton, D. Art and social change.
600 10 $aArnheim, Rudolf.
650 0 $aVisual perception.
650 0 $aOptical illusions.
650 0 $aArt$xPsychology.
650 2 $aArt$xessays
650 2 $aIllusions$xessays
650 2 $aVisual Perception$xessays
700 1 $aHenle, Mary,$d1913-
700 1 $aArnheim, Rudolf.
700 1 $aHenle, Mary,$d1913-2007.
776 08 $iOnline version:$tVision and artifact.$dNew York : Springer Pub. Co., ©1976$w(OCoLC)565938610
988 $a20020608
906 $0DLC