| Record ID | harvard_bibliographic_metadata/ab.bib.00.20150123.full.mrc:622045322:1449 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01449pam a2200349 i 4500
001 000757892-X
005 20020606090541.3
008 770714s1978 njuaf b 00000 eng
010 $a 77021780
020 $a0134520378$a0134520297$bpbk.
035 0 $aocm03169151
040 $aDLC$cDLC
043 $ae-fr---
050 0 $aND547.5.I4$bI448
082 $a759.4
245 00 $aImpressionism in perspective /$cedited by Barbara Ehrlich White.
260 0 $aEnglewood Cliffs, N.J. :$bPrentice Hall,$cc1978.
300 $axiv, 165 p., [6] leaves of plates :$bill. ;$c23 cm.
440 4 $aThe artists in perspective series
490 0 $aSpectrum book
504 $aBibliography: p. 161-163.
505 0 $aThe Impressionists' perspectives (1877-1915) -- Contemporary writers' viewpoints on Impressionism (1868-1896) -- Major painters' reflections on Impressionism (1884-1952) -- Social support, recognition, and sales -- Style, technique, influences, present status.
600 10 $aRenoir, Auguste,$d1841-1919.
600 10 $aPissarro, Camille,$d1830-1903.
600 10 $aMonet, Claude,$d1840-1926.
650 0 $aImpressionism (Art)$zFrance.
650 0 $aPainting, Modern$y19th century$zFrance.
650 0 $aPainting, French$y19th century.
700 1 $aWhite, Barbara Ehrlich.
776 08 $iOnline version:$tImpressionism in perspective.$dEnglewood Cliffs, N.J. : Prentice Hall, ©1978$w(OCoLC)569354427
988 $a20020608
906 $0DLC