MARC Record from harvard_bibliographic_metadata

LEADER: 01981pam a2200337 i 4500
001 000786254-7
005 20020606090541.3
008 780317s1978 mdu b 00110 eng
010 $a 78005845
020 $a0801820596
035 0 $aocm03843711
040 $aDLC$cDLC
043 $ae-uk-en$ae-uk---
050 00 $aPR408.P8$bR3
100 1 $aRagussis, Michael.
245 14 $aThe subterfuge of art :$blanguage and the romantic tradition /$cMichael Ragussis.
246 3 $aLanguage and the romantic tradition.
260 0 $aBaltimore :$bJohns Hopkins University Press,$cc1978.
300 $axii, 243 p. ;$c24 cm.
504 $aIncludes bibliographical referenes.
505 00 $g1.$tThe subterfuge of art:$tLawrence, Freud, and "verbal consciousness" --$tLiterature and regression --$g2.$tWordsworth:$tThe Arab dream: the language behind nature and art --$g3.$tKeats:$tThe language of gods and men: the fragmented world of the Hyperion poems --$g4.$tKeats:$t"Awake, sweet dreamer!": narrator and reader in "The eve of St. Agnes" --$g5.$tW.B. Yeats:$tThe vision of evil and poetic objectivity in "Nineteen hundred and nineteen" --$g6.$tW.B. Yeats:$t"Her vision in the wood" as tragic art: a "hollow image of fulfilled desire" --$g7.$tE.M. Forster:$tThe vision of evil in fiction: the narrative structure of A passage to India --$g8.$tD.H. Lawrence:$tThe new vocabulary of Women in love: speech and art-speech --$tSilence in Women in love --$g9.$tEpilogue:$tThe word --$tThe echo.
650 0 $aEnglish literature$xHistory and criticism.
650 0 $aPsychoanalysis and literature.
650 0 $aRomanticism$zEngland.
650 0 $aCreation (Literary, artistic, etc.)
650 0 $aNature (Aesthetics)
650 0 $aRomanticism$zGreat Britain.
655 7 $aCriticism, interpretation, etc.$2fast
776 08 $iOnline version:$aRagussis, Michael.$tSubterfuge of art.$dBaltimore : Johns Hopkins University Press, ©1978$w(OCoLC)610461551
988 $a20020608
906 $0DLC