Record ID | harvard_bibliographic_metadata/ab.bib.00.20150123.full.mrc:766795008:2024 |
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LEADER: 02024pam a2200289 i 4500
001 000917058-8
005 20100301103830.0
008 800619s1981 mau 00110 eng
010 $a 80018700
020 $a0674903455 (cloth)
020 $a0674903463 (paper)
035 0 $aocm06487499
040 $aDLC$cDLC$dm.c.
050 0 $aBH39$b.D36
082 $a700/.1
100 1 $aDanto, Arthur Coleman,$d1924-
245 14 $aThe transfiguration of the commonplace :$ba philosophy of art /$cArthur C. Danto.
260 0 $aCambridge, Mass. :$bHarvard University Press,$c1981.
300 $ax, 212 p. ;$c24 cm.
500 $aIncludes index.
505 0 $aWorks of art and mere real things -- Content and causation -- Philosophy and art -- Aesthetics and the work of art -- Interpretation and identification -- Works of art and mere representations -- Metaphor, expression, and style.
520 $a"Mr. Danto argues that recent developments in the artworld, in particular the production of works of art that cannot be told from ordinary things, make urgent the need for a new theory of art and make plain the factors such a theory can and cannot involve. In the course of constructing such a theory, he seeks to demonstrate the relationship between philosophy and art, as well as the connections that hold between art and social institutions and art history. The book distinguishes what belongs to artistic theory from what has traditionally been confused with it, namely aesthetic theory and offers as well a systematic account of metaphor, expression, and style, together with an original account 0f artistic representation. A wealth of examples, drawn especially from recent and contemporary art, illuminate the argument"--Distributed by Syndetic Solutions, LLC.
650 0 $aAesthetics.
650 0 $aArt$xPhilosophy.
776 08 $iOnline version:$aDanto, Arthur Coleman, 1924-$tTransfiguration of the commonplace.$dCambridge, Mass. : Harvard University Press, 1981$w(OCoLC)568041584
988 $a20020608
906 $0DLC