MARC Record from harvard_bibliographic_metadata

LEADER: 01907pam a2200265 i 4500
001 000925432-3
005 20020606090541.3
008 800725s1980 ilua b 00100 eng
010 $a 80005225
020 $a0226532151 :$c$6.95
035 0 $aocm06625615
040 $aDLC$cDLC$dm.c.
050 00 $aNX60$b.L33
245 04 $aThe Language of images /$cedited by W. J. T. Mitchell.
260 0 $aChicago :$bUniversity of Chicago Press,$cc1980.
300 $a307 p. :$bill. ;$c23 cm.
490 0 $aPhoenix book
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction.--Nemerov, H. On poetry and painting, with a thought of music.--Argan, G. C. Ideology and iconology.--Taylor, J. C. Two visual excursions.--Abel, E. Redefining the sister arts.--Gilman, E. B. Word and image in Quarles' Emblemes.--Steinberg, L. The line of fate in Michelangelo's painting.--Mast, G. Kracauer's two tendencies and the early history of film narrative.--Metz, C. Trucage and the film.--Arnheim, R. A plea for visual thinking.--Gombrich, E. H. Standards of truth.--Snyder, J. Picturing vision.--Searle, J. R. Las meninas and the paradoxes of pictorial representation.--Morgan, R. P. Musical time/musical space.--Mitchell, W. J. T. Spatial form in literature.
520 $a"A remarkably rich and provocative set of essays on the virtually infinite kinds of meanings generated by images in both the verbal and visual arts. Ranging from Michelangelo to Velazquez and Delacroix, from the art of the emblem book to the history of photography and film, The Language of Images offers at once new ways of thinking about the inexhaustibly complex relation between verbal and iconic representation."--James A.W. Heffernan, Dartmouth College.
650 0 $aArts.
700 1 $aMitchell, W. J. Thomas,$d1942-
700 1 $aMitchell, W. J. T.$q(William John Thomas),$d1942-
988 $a20020608
906 $0DLC