MARC Record from harvard_bibliographic_metadata

LEADER: 02528cam a2200253uu 4500
001 000952897-0
005 20020606090541.3
008 801106s1981 ctug b 00110 eng
010 $a 80027055 /MN
020 $a0300026153
035 0 $aocm06981524
040 $aDLC$cDLC$dm.c.
050 00 $aML3849$b.W58
100 1 $aWinn, James Anderson,$d1947-
245 10 $aUnsuspected eloquence :$ba history of the relations between poetry and music /$cJames Anderson Winn.
260 0 $aNew Haven, CT :$bYale University Press,$cc1981.
300 $axiv, 381 p. :$bmusic ;$c24 cm.
500 $aIncludes index.
504 $aBibliography: p. 347-365.
505 0 $aThe poet as singer : the ancient world. Introduction : primitive song ; Mousike in ancient Greece ; Literacy and theory ; Plato on music and rhetoric ; Roman borrowings -- The word as the new song : Christian developments. Introduction : four coordinates ; Early Christian music ; Augustine on music and rhetoric ; Sequences and tropes ; Practical developments in theory -- Polyphonists and troubadours : construction and expression in the later Middle Ages. The troubadours and trouvères : music as a metaphor for the poetic technique ; Polyphony and polysemy ; Toward the motet ; Anagrams and cancrizans -- The rhetorical renaissance. Introduction : ears and eyes ; Music from Mauchaut to Josquin : expressive developments ; From Frottola to madrigal : text-setting and musical style ; Construction as expression : four analogues between poetic and musical technique ; Virtuoso rhyming in Shakespeare ; Rhetorical theory : the "auricular" and the "sensible" ; The musical humanists ; The survival of construction -- Imitations. Apprenticeship, "natural genius," and music's "nameless graces" ; Sound, sense, and structure ; The affektenlehre and the persona ; A language of the passions of a grammar of harmonies? ; English literary opposition to opera : the charms of the "harlot form" ; Treatises on poetry and music ; Romantic ideas and "musical" syntax ; Literary ideas and romantic music -- The condition of music. Versions of autonomy : Hanslick and the new critics ; Pure contraption ; The axis of construction ; The axis of symbolism ; The axis of polyphony ; Expression in modern music : Schönberg the romantic, Stravinsky the rhetorician.
650 0 $aMusic and literature.
776 08 $iOnline version:$aWinn, James Anderson, 1947-$tUnsuspected eloquence.$dNew Haven, CT : Yale University Press, ©1981$w(OCoLC)767561940
988 $a20020608
906 $0DLC