MARC Record from harvard_bibliographic_metadata

LEADER: 01755cam a2200229I 4500
001 000982320-4
005 20020606090541.3
008 720522s1961 nyua 00000 eng
010 $a 61001440 /L
035 0 $aocm00313585
040 $aDLC$cWSU
050 04 $aPN81$b.R5 1961
100 1 $aRichards, I. A.$q(Ivor Armstrong),$d1893-1979.
245 10 $aPrinciples of literary criticism.
260 0 $aNew York,$bHarcourt, Brace$c[1961]
300 $a299 p.$billus.$c19 cm.
490 0 $aHarvest book,$vHB43
505 0 $aThe chaos of critical theories -- The phantom æsthetic state -- The language of criticism -- Communication and the artist -- The critics' concern with value -- Value as an ultimate idea -- A psychological theory of value -- Art and morals -- Actual and possible misapprehensions -- Poetry for poetry's sake -- A sketch for a psychology -- Pleasure -- Emotion and the cœnesthesia -- Memory -- Attitudes -- The analysis of a poem -- Rhythm and metre -- On looking at a picture -- Sculpture and the construction of form -- The impasse of musical theory -- A theory of communication -- The availability of the poet's experience -- Tolstoy's infection theory -- The normality of the artist -- Badness in poetry -- Judgment and divergent readings -- Levels of response and the width of appeal -- The allusiveness of modern poetry -- Permanence as a criterion -- The definition of a poem -- Art, play, and civilisation -- The imagination -- Truth and revelation theories - The two uses of language -- Poetry and beliefs.
650 0 $aCriticism.
776 08 $iOnline version:$aRichards, I. A. (Ivor Armstrong), 1893-1979.$tPrinciples of literary criticism.$dNew York, Harcourt, Brace [1961]$w(OCoLC)589760652
988 $a20020608
906 $0DLC