| Record ID | harvard_bibliographic_metadata/ab.bib.01.20150123.full.mrc:23444881:1573 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01573cam a2200373 4500
001 001024877-3
005 20140314185215.0
008 720829s1972 enka b 00110 engm
010 $a 74158098 //r873
015 $aB***
020 $a0714814954
035 0 $aocm00418461
035 0 $aocm00682372$zocm00387619
035 0 $aocm00418461$zocm01164992
035 1 $aMAHA89B2027
035 1 $zDCLC74158098B
035 0 $aocm00682372
040 $aDLC$cDLC$dOCL
050 0 $aN6370$b.G58 1972
082 $a704.94/6
100 1 $aGombrich, E. H.$q(Ernst Hans),$d1909-2001.
245 10 $aSymbolic images,$cby E. H. Gombrich.
260 0 $a[London]$bPhaidon [distributed by Praeger, New York,$c1972]
300 $aviii, 247 p.$billus.$c25 cm.
490 1 $aHis Studies in the art of the Renaissance ;$v2
504 $aBibliography: p. 236.
505 0 $aAims and limits of iconology.--Tobias and the angel.- -Botticelli's mythologies: a study in the neo-Platonic symbolism of his circle.--An interpretation of Mantegna's 'Parnassus.'--Raphael's Stanza della segnatura and the
505 0 $anature of its symbolism.- -Hypnerotomachiana.--The Sala dei Venti in the Palazzo del Te.--The subject of Poussin's Orion.--Icones symbolicae: philosophies of symbolism and their bearing on art.
650 0 $aSymbolism in art.
650 0 $aArt, Renaissance.
700 1 $aGombrich, E. H.$q(Ernst Hans),$d1909-2001.$tNorm and form.
800 1 $aGombrich, E. H.$q(Ernst Hans),$d1909-2001.$tStudies in the art of the Renaissance ;$v2.
988 $a20020608
906 $0DLC