| Record ID | harvard_bibliographic_metadata/ab.bib.01.20150123.full.mrc:244785746:1318 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01318pam a2200265 4500
001 001261041-0
005 20020606090541.3
008 740114s1974 inuc b 001 0 eng
010 $a 73015282
020 $a0253359104
035 0 $aocm00800574
040 $aDLC$cDLC$dHLS
050 0 $aPS3535.O39$bZ58
082 $a811/.5/4
100 1 $aBlessing, Richard Allen.
245 10 $aTheodore Roethke's dynamic vision.
260 $aBloomington,$bIndiana University Press$c[1974]
300 $ax, 240 p.$bport.$c22 cm.
504 $aBibliography: p. 227-230.
505 0 $aIntroduction -- APPRENTICESHIP: Roethke as student -- The student literary criticism -- Uncollected poems -- Open House -- The notebooks:1938-1948 -- THE EDGE OF MANY THINGS: The Greenhouse Sequence -- The opening knock and the lost son -- The old woman's meditation and the North American Sequence -- THE FORMAL FATHER: Devising intensity -- The Dying Man -- The Love Poems -- Sequence, Sometimes Metaphysical -- Afterword.
600 10 $aRoethke, Theodore,$d1908-1963$xCriticism and interpretation.
655 7 $aCriticism, interpretation, etc.$2fast
776 08 $iOnline version:$aBlessing, Richard Allen.$tTheodore Roethke's dynamic vision.$dBloomington : Indiana University Press, ©1974$w(OCoLC)586783171
988 $a20020608
906 $0DLC