| Record ID | harvard_bibliographic_metadata/ab.bib.01.20150123.full.mrc:342450436:1368 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01368pam a2200277 a 4500
001 001367902-3
005 20020606090541.3
008 871104s1988 caua b s00110 eng
010 $a 87030180
020 $a0520062280 (alk. paper)
035 0 $aocm17107810
040 $aDLC$cDLC$dHLS
043 $an-us---
050 0 $aPN1995.9.A26$bN37 1988
082 0 $a791.43/028$219
100 1 $aNaremore, James.
245 10 $aActing in the cinema /$cJames Naremore.
260 0 $aBerkeley :$bUniversity of California Press,$cc1988.
300 $aix, 307 p. :$bill. ;$c24 cm.
500 $aIncludes index.
504 $aBibliography: p. 287-293.
505 0 $apt. 1. Performance in the age of mechanical reproduction. Protocols -- Rhetoric and expressive technique -- Expressive coherence and performance within performance -- Accessories -- pt. 2. Star performances. Lillian Gish in True heart Susie (1919) -- Charles Chaplin in The gold rush (1925) -- Marlene Dietrich in Morocco (1930) -- James Cagney in Angels with dirty faces (1938) -- Katharine Hepburn in Holiday (1938) -- Marlan Brando in On the waterfront (1954) -- Cary Grant in North by northwest (1959) -- pt. 3. Film as performance text. Rear window (1954) -- The king of comedy (1983).
650 0 $aMotion picture acting.
650 0 $aMotion pictures$zUnited States.
988 $a20020608
906 $0DLC