MARC Record from harvard_bibliographic_metadata

LEADER: 02055pam a2200349 a 4500
001 001051093-1
005 20070901093103.0
008 820408s1982 miug b 00110 eng
010 $a 82006916 /MN/r902
020 $a0835713512
035 0 $aocm08389760
040 $aDLC$cDLC
050 00 $aML457$b.N44 1982
082 00 $a781.6/3$219
100 1 $aNeumann, Frederick.
245 10 $aEssays in performance practice /$cby Frederick Neumann.
260 0 $aAnn Arbor, Mich. :$bUMI Research Press,$cc1982.
300 $axii, 321 p. :$bmusic ;$c24 cm.
440 0 $aStudies in musicology ;$vno. 58
500 $aPreviously published articles.
504 $aIncludes bibliographical references and index.
505 0 $aThe use of baroque treatises on musical performance -- Donington's A performer's guide to baroque music, a review -- The French inégales, Quantz and Bach -- An answer to Donington's critique -- External evidence and uneven notes -- The dotted note and the so-called French style -- Rhythm in the two versions of Bach's French overture, BWV 831 -- Facts and fiction about overdotting -- Once more the "French overture style" -- The overdotting syndrome, anatomy of a delusion -- Misconceptions about the French trill in the 17th and 18th centuries -- A new look at Bach's ornamentation -- Notes on "melodic" and "harmonic" ornaments -- Couperin and the downbeat doctrine for appoggiaturas - Ornament and structure -- The appoggiatura in Mozart's recitative.
650 0 $aPerformance practice (Music)
650 0 $aMusic$y18th century$xHistory and criticism.
650 0 $aPerformance practice (Music)$xHistory$y17th century.
650 0 $aPerformance practice (Music)$xHistory$y18th century.
650 0 $aEmbellishment (Music)$xHistory$y17th century.
650 0 $aEmbellishment (Music)$xHistory$y18th century.
655 7 $aHistory.$2fast
776 08 $iOnline version:$aNeumann, Frederick.$tEssays in performance practice.$dAnn Arbor, Mich. : UMI Research Press, ©1982$w(OCoLC)639349352
988 $a20020608
906 $0DLC