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MARC Record from harvard_bibliographic_metadata

Record ID harvard_bibliographic_metadata/ab.bib.01.20150123.full.mrc:5354185:1729
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.01.20150123.full.mrc:5354185:1729?format=raw

LEADER: 01729cam a2200349 a 4500
001 001005578-9
005 20020606090541.3
008 820223s1981 nyua b 00110 eng
010 $a 81009050
020 $a0671433881
035 0 $aocm07576217
035 1 $aMAHA82B356
040 $aDGPO/DLC$dCStRLIN$dMH-FA
043 $ae-uk-en$an-us-ny
050 00 $aNK5943$b.H68
100 1 $aHoving, Thomas,$d1931-2009.
245 10 $aKing of the confessors /$cThomas Hoving.
260 0 $aNew York :$bSimon and Schuster,$cc1981.
300 $a365 p. :$bill. (some col.) ;$c24 cm.
500 $aIncludes index.
504 $aBibliography: p. 353-354.
505 0 $aIn the beginning ... -- The waiting game -- The game is joined -- The quest commences -- Fakes and treasures -- "Faupic" -- The cross -- Sleight of hand -- Harsh conditions -- A certain vision -- The singer and the song -- Revelations -- Out of focus -- A game of chess -- A litany of hatred -- Confessions -- Going, going ... -- The stroke of midnight -- Hugo the master -- King of the confessors -- Scholars, rivals and spies.
520 8 $aThe author, former director of the Metropolitan Museum, tells the story of the discovery and acquisition of a great treasure of medieval art -the Bury St. Edmunds Cross.
600 10 $aHoving, Thomas,$d1931-2009.
650 0 $aBury Saint Edmunds Cross.
610 20 $aCloisters (Museum)
650 0 $aIvories, Romanesque$zEngland.
650 0 $aArt$xCollectors and collecting.
650 0 $aChristian art and symbolism$yMedieval, 500-1500.
776 08 $iOnline version:$aHoving, Thomas, 1931-2009.$tKing of the confessors.$dNew York : Simon and Schuster, ©1981$w(OCoLC)610250071
988 $a20020608
906 $0RLIN