MARC Record from harvard_bibliographic_metadata

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008 811027s1982 njua b 001 0 eng
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035 0 $aocm07947461
040 $aDLC$cDLC$dMUQ
050 00 $aML1092$b.S35
082 00 $a789.9$219
100 1 $aSchrader, Barry.
245 10 $aIntroduction to electro-acoustic music /$cBarry Schrader.
260 $aEnglewood Cliffs, N.J. :$bPrentice Hall,$cc1982.
300 $axvi, 223 p. :$bill. ;$c24 cm.
504 $aBibliography: p. 211-218.
500 $aIncludes index.
505 0 $aIntroduction -- Part I : Musique concrète and tape manipulation techniques -- Pierre Schaeffer and the Études of 1948 -- Tape loops -- Cutting and splicing -- Speed change -- Direction change -- Tape delay -- Combined tape manipulation techniques -- Part II : Electronic music -- Electro-acoustic musical instruments -- Electronic music and optical sound tracks -- Classical studio electronic music : the Cologne studio and its precursors -- Classical studio electronic music : the development of the classical studio -- Electronic music synthesizers -- Computer music -- Live/electronic music -- Part III : The art of electro-acoustic music : interviews with composers -- Interview with Luciano Berio -- Interview with Pauline Oliveros -- Interview with Morton Subotnick -- Interview with Jean-Claude Risset -- Interview with Gordon Mumma.
650 0 $aElectronic music$xHistory and criticism.
650 0 $aMusique concrète$xHistory and criticism.
650 0 $aComputer music$xHistory and criticism.
655 7 $aCriticism, interpretation, etc.$2fast
776 08 $iOnline version:$aSchrader, Barry.$tIntroduction to electro-acoustic music.$dEnglewood Cliffs, N.J. : Prentice Hall, c1982$w(OCoLC)639384939
776 08 $iOnline version:$aSchrader, Barry.$tIntroduction to electro-acoustic music.$dEnglewood Cliffs, N.J. : Prentice Hall, ©1982$w(OCoLC)639384939
988 $a20020608
906 $0DLC