MARC Record from harvard_bibliographic_metadata

LEADER: 02118cam a22003134a 45e0
001 009101908-7
005 20030828111837.0
008 020813s2003 enkg b 001 0 eng
010 $a 2002032632
020 $a0415281598
020 $a0415281601 (pbk.)
035 0 $aocm50441023
040 $aDLC$cDLC$dC#P$dIUL
042 $apcc
050 00 $aML2075$b.M877 2003
082 00 $a781.5/42$221
245 00 $aMovie music, the film reader /$cedited by Kay Dickinson.
260 $aLondon ;$aNew York :$bRoutledge,$c2003.
300 $aviii, 207 p. :$bmusic ;$c24 cm.
440 0 $aIn focus--Routledge film readers
504 $aIncludes bibliographical references (p. [191]-194) and indexes.
505 0 $aPt. 1. The meanings of the film score. The language of music : a brief analysis of Vertigo / Kathryn Kalinak -- Prejudices and bad habits / Theodor Adorno and Hans Eisler -- Why music? : the sound film and its spectator / Claudia Gorbman -- Reforming "jackass music" : the problematic aesthetics of early American film music accompaniment / Tim Anderson.
505 8 $aPt. 2. The place of the song. Banking on film music : structural interactions of the film and record industries / Jeff Smith -- Cinema, postmodernity and authenticity / Lawrence Grossberg -- The silences of the palace and the anxiety of musical creation / Anastasia Valassopoulos -- Must you remember this? : orchestrating the "standard" pop song in Sleepless in Seattle / Ian Garwood.
505 8 $aPt. 3. The formal politics of music on film. Whose jazz, whose cinema? / Krin Gabbard -- The animation of sound / Philip Brophy -- Pop, speed, teenagers and the "MTV aesthetic" / Kay Dickinson.
505 8 $aPt. 4. Crossing over into the narrative. Gender, power, and a cucumber : satarizing masculinity in This is spinal tap / Carl Plantinga -- Manufacturing authenticity : imagining the music industry in Anglo-American cinema, 1956-62 / Keir Keightley -- A Madonna "wanna-be" story on film / Lisa Lewis.
650 0 $aMotion picture music$xHistory and criticism.
700 1 $aDickinson, Kay,$d1972-
988 $a20030828
906 $0DLC