Record ID | harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:106304302:2152 |
Source | harvard_bibliographic_metadata |
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LEADER: 02152pam a2200337 a 45e0
001 009102766-7
005 20090713042226.0
008 020821s2003 ohu b s001 0 eng
010 $a 2002013495
020 $a0814209289 (hardcover : alk. paper)
020 $a0814251080 (pbk. : alk. paper)
020 $a0814290116 (CD-ROM)
035 0 $aocm50503522
040 $aDLC$cDLC$dC#P
050 00 $aPN56.5.W64$bW375 2003
082 00 $a809/.89287$221
100 1 $aWarhol-Down, Robyn.
245 10 $aHaving a good cry: effeminate feelings and pop-culture forms /$cRobyn R. Warhol.
260 $aColumbus :$bOhio State University Press,$cc2003.
300 $axx, 148 p. ;$c24 cm.
490 1 $aTheory and interpretation of narrative series
504 $aIncludes bibliographical references (p. 135-142) and index.
505 0 $aIntroduction: effeminacy, feelings, forms. Effeminacy: a third term for gender studies -- Feelings: how do you really feel? -- Forms: feminist narratology and close reading -- The cry: effeminate sentimentalism. Having a good cry -- Sentimentalism and sexism -- A narratology of good-cry techniques -- Crying over The color purple -- The cringe: marriage plots, effeminacy, and feminist ambivalence. Reading too closely for comfort -- Discomforts of reading Pretty woman -- The thrill and the yawn: antieffeminate structures of feeling in serial forms. Self-conscious serial forms -- Reading the (boring) Victorian serial -- Antieffeminate affect -- E-mail as an antieffeminate form -- Bending gender and the habits of affect -- The climax and the undertow: effeminate intensities in soap opera. Who is the "I" who watches soaps? -- Intensities and long-term viewing -- Effeminate feeling and soap form -- Afterword: the reader's body from the inside out.
650 0 $aTelevision and women.
650 0 $aWomen and literature.
650 0 $aWomen$xPsychology.
650 0 $aEmotions.
776 08 $iOnline version:$aWarhol-Down, Robyn.$tHaving a good cry.$dColumbus : Ohio State University Press, ©2003$w(OCoLC)606938512
830 0 $aTheory and interpretation of narrative series.
988 $a20030509
906 $0DLC