MARC Record from harvard_bibliographic_metadata

LEADER: 01489cam a22002894a 45e0
001 009114357-8
005 20030602114548.0
008 020221s2003 enka b 001 0 eng
010 $a 2002002844$z 2002074914
020 $a019515195X (cloth : alk. paper)
020 $a0195151968 (pbk. : alk. paper)
035 0 $aocm49225369
040 $aDLC$cDLC$dBUF$dHMU
042 $apcc
050 00 $aML3795$b.S28 2003
082 00 $a780$221
100 1 $aScott, Derek B.
245 10 $aFrom the erotic to the demonic :$bon critical musicology /$cDerek B. Scott.
260 $aOxford ;$aNew York :$bOxford University Press,$c2003.
300 $a258 p. :$bill. ;$c25 cm.
504 $aIncludes bibliographical references and index.
505 0 $aSexuality, gender, and musical style. Erotic representation from Monteverdi to Mae West ; The sexual politics of Victorian musical aesthetics -- Ideology and the popular. The Native American in popular music ; Incongruity and predictability in British dance band music of the 1920s and 1930s -- The sacred and the profane. Lux in Tenebris : Bruckner and the dialectic of darkness and light ; Diabolus in musicus : Liszt and the demonic -- Ideology and cultural otherness. Orientalism and musical style ; The impact of African-American music making on the European classical tradition in the 1920s.
650 0 $aMusic$xSocial aspects.
650 0 $aMusic$xPhilosophy and aesthetics.
650 0 $aStyle, Musical.
988 $a20030529
906 $0DLC