MARC Record from harvard_bibliographic_metadata

LEADER: 03359nam a2200373 a 4500
001 009126570-3
005 20030821101847.0
008 030522s2003 nyuac bc 001 0deng d
020 $a0870702416 (clothbound)
020 $a0870702424 (paperbound)
035 0 $aocm52300793
035 $a(NIC)4715289
040 $aRSG$cRSG$dMH-FA
050 00 $aN6888.B4$bA4 2003
100 1 $aBeckmann, Max,$d1884-1950.
245 10 $aMax Beckmann /$cedited by Sean Rainbird.
260 $aNew York :$bMuseum of Modern Art :$bDistributed in the U.S. and Canada by D.A.P./Distributed Art Publishers,$cc2003.
300 $a293 p. :$bill. (some col.), ports. ;$c29 cm.
500 $aCatalog of an exhibition held at the Centre Georges Pompidou, Paris, Sept. 10, 2002-Jan. 6, 2003, the Tate Modern, London, Feb. 12-May 5, 2003, and MoMA QNS, New York, June 25-Sept. 30, 2003.
504 $aIncludes bibliographical references (p. 284-285) and index.
505 00 $tThe Beckmann effect /$rRobert Storr --$tImages of the times in Beckmann's early work /$rSean Rainbird --$tBeckmann's Frankfurt cityscapes : concepts of space /$rSusanne Bieber --$tThe painter at the beach : Beckmann's Italian paintings /$rNina Peter --$tBeckmann and the triptych : a sacred form in the context of modernism /$rAnette Kruszynski --$tBeckmann's lucid somnambulism /$rDidier Ottinger --$tLeon Golub on Beckmann --$tA gathering storm : Max Beckmann and cultural politics 1925-38 /$rSean Rainbird --$tWallenstein in red /$rBarbara Copeland Buenger --$tBeckmann's Death /$rWilliam Kentridge --$tBeckmann : exile in Amsterdam 1937-47 /$rJill Lloyd --$tBoston, Beckmann and after /$rEllsworth Kelly --$tPoetics of space : Beckmann's Falling Man /$rCharles W. Haxthausen.
520 1 $a"Max Beckmann (1884-1950) is widely acknowledged as one of Germany's leading painters of the twentieth century. His work has affinities with Expressionism and, in the 1920, with Neue Sachlichkeit (New Objectivity)." "This collaboration, an association between the Pompidou Centre, Tate Modern and The Museum of Modern Art, marks the first occasion since the 1960s that Paris, London and New York have hosted comprehensive surveys dedicated to Beckmann's work. This book, shared between Tate Modern and The Museum of Modern Art, is the first comprehensive English-language catalogue on the artist published since Beckmann's centenary retrospective in 1984. It contains new research by German, American and British scholars, using documentary material published over the past decade. There are, too, several distinctive essays by practicing artists, for whom Beckmann's contribution to art has special significance."--Jacket.
600 10 $aBeckmann, Max,$d1884-1950$vExhibitons.
600 10 $aBeckmann, Max,$d1884-1950$xCriticism and interpretation.
600 10 $aBeckmann, Max,$d1884-1950$vExhibitions.
655 7 $aCriticism, interpretation, etc.$2fast
655 7 $aExhibition catalogs.$2fast
700 1 $aRainbird, Sean.
710 2 $aMuseum of Modern Art (New York, N.Y.)
710 2 $aCentre Georges Pompidou.
710 2 $aTate Modern (Gallery)
776 08 $iOnline version:$aBeckmann, Max, 1884-1950.$tMax Beckmann.$d[New York] : Museum of Modern Art : Distributed in the United States and Canada by D.A.P./Distributed Art Publishers, ©2003$w(OCoLC)649172611
988 $a20030618
906 $0OCLC