MARC Record from harvard_bibliographic_metadata

LEADER: 02103cam a2200361 a 4500
001 009013590-3
005 20070901122409.0
008 010307s2003 paua b s001 0 eng
010 $a 2001021479
020 $a0271021403 (cloth : alk. paper)
035 0 $aocm46538533
040 $aDLC$cDLC$dDLC$dMH-FA
042 $apcc
043 $ae-it---
050 00 $aND623.S5$bA66 2003
082 00 $a759.5/09/024$221
100 1 $aGilbert, Creighton.
245 10 $aHow Fra Angelico and Signorelli saw the end of the world /$cCreighton Gilbert.
260 $aUniversity Park, Pa. :$bPennsylvania State University Press,$cc2003.
300 $axix, 200 p. :$bill. ;$c27 cm.
504 $aIncludes bibliographical references (p. [189]-194) and index.
505 00 $gCh. 1.$tThe Place as a Precondition --$gCh. 2.$tPlanning the Frescoes --$gCh. 3.$tIntermission, 1448-1499 --$gCh. 4.$tSignorelli Paints the Inner Bay --$gCh. 5.$tThe Imagery of the Outer Bay.
520 1 $a"How Fra Angelico and Signorelli Saw the End of the World examines every element in the Cappella Nuova's architecture and complex decoration, which not only represents the coming of the Antichrist, the end of the world, and the Last Judgment but also, on a high dado, features portraits of Dante and other poets, scenes from their texts, and sinuous grotesque ornament. Although Dante's likeness has long been recognized, Creighton Gilbert is the first scholar to establish that his great epic, The Divine Comedy, exerted a profound influence on the Chapel's iconographic program."--Jacket.
600 10 $aSignorelli, Luca,$d1441?-1523.$tEnd of the world.
600 10 $aSignorelli, Luca,$d1441?-1523$xCriticism and interpretation.
600 00 $aAngelico,$cfra,$dapproximately 1400-1455$xCriticism and interpretation.
650 0 $aMural painting and decoration, Renaissance$zItaly$zOrvieto.
650 0 $aJudgment Day in art.
610 20 $aCappella della Madonna di San Brizio (Duomo di Orvieto)
655 7 $aCriticism, interpretation, etc.$2fast
700 1 $aSignorelli, Luca,$d1441?-1523.
988 $a20030429
906 $0DLC