| Record ID | harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:14439782:1519 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01519cam a2200313 a 45e0
001 009014240-3
005 20030221142831.0
008 020412s2002 enka b 001 0 eng c
015 $aGBA2-70782
020 $a190336406X (pbk.)
035 0 $aocm49567125
040 $aMUS$cMUS$dCLU$dUKM
042 $apcc
050 4 $aPN1995.9.A74$bG53 2002
100 1 $aGibbs, John Edward.
245 10 $aMise-en-scène :$bfilm style and interpretation /$cJohn Gibbs.
246 30 $aFilm style and interpretation
260 $aLondon ;$aNew York :$bWallflower,$cc2002.
300 $a128 p. :$bill. ;$c20 cm.
490 1 $aShort cuts ;$v10
504 $aIncludes bibliographical references and index.
505 00 $g1.$tThe elements of mise-en-scéne --$g2.$tThe interaction of elements --$g3.$tcoherent relationships --$g4.$tinvestigations in the critical history of mise-en-scéne --$g5.$tmise-en-scéne and melodrama --$g6.$tcase study : imitation of life.
520 $aGibbs presents a detailed exploration of classics such as Rebel Without a Cause and Lone Star. The book is an invaluable tool in understanding the expression of visual style, and an unrivalled text for the understanding of interpretative methodologies.
650 0 $aMotion pictures$xArt direction.
650 0 $aMotion pictures$xAesthetics.
776 08 $iOnline version:$aGibbs, John Edward.$tMise-en-scène.$dLondon ; New York : Wallflower, ©2002$w(OCoLC)606650533
830 0 $aShort cuts (London, England) ;$v10.
988 $a20030108
906 $0OCLC