MARC Record from harvard_bibliographic_metadata

LEADER: 02907cam a22003734a 45e0
001 009160835-X
005 20070712172909.0
006 juun
008 020503s2003 nyua 001 0 eng
010 $a 2002007039
015 $aGBA2-U1216
020 $a0195095677 (cloth : alk. paper)
020 $a0195160606
020 $a0195160592 (v. 1)
035 0 $aocm49750755
040 $aDLC$cDLC$dYDX$dUKM$dWAU$dHMU
042 $apcc
050 00 $aMT50$b.L22 2003
082 00 $a781.2$221
100 1 $aLaitz, Steven G.$q(Steven Geoffrey)
245 14 $aThe complete musician :$ban integrated approach to tonal theory, analysis, and listening /$cSteven Laitz.
260 $aNew York :$bOxford University Press,$c2003.
300 $axxii, 714 p. :$bill. ;$c25 cm. +$e2 sound discs (digital ; 4 3/4 in.)
500 $a"Examples from text performed by musicians from the Eastman School of Music"--Disc labels.
500 $aIncludes indexes.
504 $aIncludes bibliographical references and index.
505 0 $aTonality, the music center -- Pulse, rhythm, and meter -- Intervals and melody -- Controlling dissonance and consonance : two-voice counterpoint -- Triads, inversions, figured bass, and harmonic analysis -- Seventh chords, texture, and musical hierarchy -- The tonic and the dominant, voice leading, and harmonic rhythm -- The dominant seventh and chordal dissonance -- Contrapuntal expansions of tonic and dominant : six-three chords -- More contrapuntal expansions and their impact on composition : inversions of V--, vii⁰--, and introduction of the motive -- Accented dissonances, six-four chords, and revisiting IV -- Invertible counterpoint and compound melody -- The pre-dominant function and the phrase model -- The phrase model continued : perceiving, animating, and expanding it using new pre-dominant possibilities -- The submediant : a new diatonic harmony, and further extensions of the phrase model -- The mediant, the back-relating dominant, and a synthesis of diatonic harmonic relationships -- The period -- Other small musical structures : sentences, double periods, and asymmetrical periods -- Harmonic sequences : concepts and patterns -- Sequences within larger musical contexts and sequences with seventh chords -- Applied chords -- Tonicization and modulation -- Binary form and variations -- Modal mixture -- Expansion of modal mixture harmonies : chromatic tonicization and modulation -- The neapolitan sixth chord (♭II₆) -- The augmented sixth chord -- Ternary form -- Rondo -- Sonata form -- New harmonic tendencies -- The rise of symmetrical harmony in tonal music -- Melodic and harmonic symmetry combine : chromatic sequences -- At tonality's edge.
650 0 $aHarmony.
650 0 $aTonality.
650 0 $aMusical analysis.
650 0 $aMusic theory$vTextbooks.
655 7 $aTextbooks.$2fast
988 $a20030804
906 $0DLC