MARC Record from harvard_bibliographic_metadata

LEADER: 03163pam a22003614a 4500
001 009162151-8
005 20090826145059.0
008 020422s2003 caua b s001 0 eng
010 $a 2002068452
020 $a0520234499 (cloth : alk. paper)
020 $a0520234502 (paper : alk. paper)
020 $a9781417508099 (electronic bk.)
035 0 $aocm49699090
040 $aDLC$cDLC$dDLC$dHMU
042 $apcc
043 $aa-cc---
050 00 $aML3918.P67$bB36 2003
100 1 $aBaranovitch, Nimrod,$d1965-
245 10 $aChina's new voices :$bpopular music, ethnicity, gender, and politics, 1978-1997 /$cNimrod Baranovitch.
260 $aBerkeley :$bUniversity of California Press,$cc2003.
300 $axiv, 332 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. 291-309) and index.
520 8 $aThis is the most comprehensive study to date of the rich popular music scene in contemporary China. Focusing on the city of Beijing and drawing upon extensive fieldwork, China's New Voices shows that during the 1980s and 1990s, rock and pop music, combined with new technologies and the new market economy, have enabled marginalized groups to achieve a new public voice that is often independent of the state. Nimrod Baranovitch analyzes this phenomenon by focusing on three important contexts: ethnicity, gender, and state politics. His study is a fascinating look at the relationship between popular music in China and broad cultural, social, and political changes that are taking place there. Baranovitch's sources include formal interviews and conversations conducted with some of China's most prominent rock and pop musicians and music critics, with ordinary people who provide lay perspectives on popular music culture, and with others involved in the music industry and in academia. Baranovitch also observed recording sessions, concerts, and dance parties, and draws upon TV broadcasts and many publications in Chinese about popular music. keywords: Ethnicity
505 00 $g1.$tChina Diversified: An Overview of Popular Music in the Reform Era, 1978-1997 --$g2.$tNegotiation of Minority/Majority Identities and Representation in Popular Music Culture --$g3.$tNegotiating Gender in Post-Revolutionary Popular Music Culture: Reconstructing Manhood, Womanhood, and Sexuality --$g4.$tPopular Music and State Politics: Hegemony, Resistance, Symbiosis, and Unity.
650 0 $aPopular music$xSocial aspects$zChina.
650 0 $aPopular music$xPolitical aspects$zChina.
651 0 $aChina$xCivilization$y1976-2002.
651 0 $aChina$xCivilization$y1976-
776 08 $iPrint version:$aBaranovitch, Nimrod, 1965-$tChina's new voices.$dBerkeley : University of California Press, c2003$z0520234499$z0520234502$w(DLC) 2002068452$w(OCoLC)49699090
776 08 $iPrint version:$aBaranovitch, Nimrod, 1965-$tChina's new voices.$dBerkeley : University of California Press, ©2003$z0520234499$z0520234502$w(DLC) 2002068452$w(OCoLC)49699090
776 08 $iOnline version:$aBaranovitch, Nimrod, 1965-$tChina's new voices.$dBerkeley : University of California Press, ©2003$w(OCoLC)639778082
988 $a20030805
906 $0DLC