| Record ID | harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:179940352:1089 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:179940352:1089?format=raw |
LEADER: 01089cam a2200325 a 45e0
001 009177047-5
005 20060928113441.0
008 030429s2003 cau b 001 0 eng
010 $a 2003009916
020 $a0804744351 (cloth : alk. paper)
020 $a080474436X (pbk. : alk. paper)
035 0 $aocm52214507
040 $aDLC$cDLC$dC#P$dMH-FA
042 $apcc
050 00 $aBH201$b.M32 2003
082 00 $a111/.85$221
245 00 $aMapping Benjamin :$bthe work of art in the digital age /$cedited by Hans Ulrich Gumbrecht, Michael Marrinan.
260 $aStanford, Calif. :$bStanford University Press,$cc2003.
300 $axvi, 349 p. ;$c23 cm.
440 0 $aWriting science
504 $aIncludes bibliographical references (p. [325]-336) and indexes.
600 10 $aBenjamin, Walter,$d1892-1940$xCriticism and interpretation.
650 0 $aDigital communications.
650 0 $aAesthetics, Modern.
650 0 $aMass media.
650 0 $aTechnology and the arts.
700 1 $aGumbrecht, Hans Ulrich.
700 1 $aMarrinan, Michael.
988 $a20030827
906 $0DLC