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Record ID harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:207058223:2674
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:207058223:2674?format=raw

LEADER: 02674pam a2200325 a 45e0
001 009203249-4
005 20030929125915.0
008 021220s2003 ilua b s001 0deng
010 $a 2002045407
020 $a0252071417 (pbk. : alk. paper)
035 0 $aocm51537193
040 $aDLC$cDLC$dYDX
043 $an-us---
050 00 $aPN1993.5.U6$bC4 2003
082 00 $a791.43/0973/0904$221
100 1 $aCeplair, Larry.
245 14 $aThe inquisition in Hollywood :$bpolitics in the film community, 1930-60 /$cLarry Ceplair and Steven Englund.
250 $a1st Illinois pbk.
260 $aUrbana :$bUniversity of Illinois Press,$c2003.
300 $axxix, 544 p. :$bill. ;$c21 cm.
504 $aIncludes bibliographical references (p. [487]-514) and index.
505 00 $g1.$tThe Screenwriter in Hollywood --$g2.$tThe Founding of the Screen Writers Guild, 1933 --$g3.$tThe Communist Party in Hollywood: Intellectual Ferment Brutalized by Politics --$g4.$tThee Great Popular Front, 1936-39 --$g5.$tThe Disintegration of the Popular Front --$g6.$tThe Phony War and the Resurrected Popular Front, 1940-44 --$g7.$tPrelude to Repression, 1944-47 --$g8.$tThe Congressional Hearings of October 1947 --$g9.$tThe Influence of Hollywood Communists on American Films and American Politics, 1930-47 --$g10.$tThe Hollywood Ten: From the Blacklist to Prison, November 1947-June 1950 --$g11.$tDevastation: HUAC Returns to Hollywood, 1951-53 --$g12.$tExile and Return: the Aftermath, 1953 to Present --$tAfterword to the 1983 Paperback.
520 1 $a"The Inquisition in Hollywood examines the suppression of radical political activity in the film industry from the days of the Great Depression through the tumultuous House Un-American Activities Committee era to the waning days of the infamous blacklist."
520 8 $a"Although this thirty-year period of American history is marked by widespread targeting of leftists in all areas of life, those in the film industry - predominately screenwriters - were considered to be in positions of great potential indoctrinating power, and found themselves under intense scrutiny as the cold war hysteria mounted. Ceplair and Englund trace the history of political struggle in Hollywood back to the formation of the Screen Writers Guild in 1933. Many of the blacklisted filmmakers were members of the Communist Party and all of the graylisted filmmakers had expressed their sympathy with progressive (mainly anti-fascist) causes."--Jacket.
650 0 $aMotion picture industry$zUnited States.
650 0 $aBlacklisting of entertainers$zUnited States.
700 1 $aEnglund, Steven.
988 $a20030929
049 $aHLSS
906 $0DLC