MARC Record from harvard_bibliographic_metadata

LEADER: 02229cam a2200349 a 4500
001 009328269-9
005 20050608181036.0
008 030806s2004 inua b 001 0deng
010 $a 2003017465
020 $a0253343518 (alk. paper)
020 $a0253216443 (pbk. : alk. paper)
035 0 $aocm52821193
040 $aDLC$cDLC$dC#P
043 $ae-it---
050 00 $aPN2688.M33$bR45 2004
082 00 $a791.43/028/092$222
100 1 $aReich, Jacqueline,$d1965-
245 10 $aBeyond the Latin lover :$bMarcello Mastroianni, masculinity, and Italian cinema /$cJacqueline Reich.
260 $aBloomington :$bIndiana University Press,$cc2004.
300 $axvi, 224 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. 201-216) and index.
505 0 $a1. In the beginning: Mastroianni, masculinity, and Italian cinema -- 2. Undressing the Latin lover: La dolce vita, fashion, and Italian masculinity -- 3. Masculinity, Sicilian style: Il bell'Antonio and divorce - Italian style -- 4. "Remember, it's a comedy": Mastroianni in the films of Federico Fellini -- 5. The Inetto versus the unruly woman: Mastroianni and Sophia Loren -- 6. Remembrance of films past: Mastroianni and the aging male body -- Conclusion: cinema, memory, and a voyage at the end of life's journey.
520 $aMarcello Mastroianni is considered by many to be the consummate symbol of Italian masculinity. In this work, Jacqueline Reich goes behind the popular image to reveal a figure at odds with and out of place in the unstable political, social and sexual climate of post-war Italy.
600 10 $aMastroianni, Marcello,$d1924- $xCriticism and interpretation.
650 0 $aLatin lovers in motion pictures.
650 0 $aMasculinity in motion pictures.
600 10 $aMastroianni, Marcello,$d1924-1996$xCriticism and interpretation.
655 7 $aCriticism, interpretation, etc.$2fast
776 08 $iOnline version:$aReich, Jacqueline, 1965-$tBeyond the Latin lover.$dBloomington : Indiana University Press, ©2004$w(OCoLC)607063420
776 08 $iOnline version:$aReich, Jacqueline, 1965-$tBeyond the Latin lover.$dBloomington : Indiana University Press, ©2004$w(OCoLC)626108588
988 $a20040331
906 $0DLC