| Record ID | harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:387550794:1368 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:387550794:1368?format=raw |
LEADER: 01368pam a2200301 a 4500
001 009383677-5
005 20070129150446.0
008 040219s2004 ncua b 001 0 eng
010 $a 2004004057
020 $a0786418273 (illustrated case binding : alk. paper)
020 $a0786431156 (pbk)
020 $a9780786431151 (pbk)
035 0 $aocm54461853
040 $aDLC$cDLC$dYDX
043 $an-us---
050 00 $aPN1968.U5$bE73 2004
082 00 $a792.7/0973/09041$222
100 1 $aErdman, Andrew L.,$d1965-
245 10 $aBlue vaudeville :$bsex, morals and the mass marketing of amusement, 1895-1915 /$cAndrew L. Erdman.
260 $aJefferson, N.C. :$bMcFarland & Co.,$cc2004.
300 $aix, 198 p. :$bill. ;$c27 cm.
504 $aIncludes bibliographical references (p. 187-191) and index.
505 0 $a"Dressed in the form of art", the censorship and curtailment of popular entertainments -- "Clean, great, and national", the mass marketing of amusement -- "Of pleasing face and form", the sexual and the sensual on stage -- "Wild woman", Eva Tanguay as temptress and sexual rebel -- "The signal of distress", film and the fall of vaudeville.
650 0 $aVaudeville$zUnited States$xHistory$y20th century.
650 0 $aVaudeville$zUnited States$xHistory$y19th century.
650 0 $aSex in the performing arts.
988 $a20040609
906 $0DLC