| Record ID | harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:538692514:1223 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:538692514:1223?format=raw |
LEADER: 01223cam a2200325 a 4500
001 009540017-6
005 20060130091505.0
008 040625s2004 enka f 000 0 eng d
015 $aGBA458494$2bnb
016 7 $a012968284$2Uk
020 $a0853237395 (hbk.)
020 $a0853237190 (pbk.)
035 0 $aocm56652181
040 $aUKM$cUKM$dMH-FA
050 4 $aNX180.S6$bA78 2004
082 04 $a700.1'03$222
245 00 $aArt, money, parties :$bnew institutions in the political economy of modern art /$cedited by Jonathan Harris.
260 $aLiverpool :$bLiverpool University Press,$c2004.
300 $a256 p. :$bill. (some col.) ;$c25 cm.
490 1 $aTate Liverpool critical forum ;$v7
500 $aBased on a conference held at the Tate Liverpool, Nov., 2002 on the occasion of the 2nd Liverpool Biennial exhibition of contemporary art.
650 0 $aArt patronage$vCongresses.
650 0 $aArt and state$vCongresses.
650 0 $aArt$xEconomic aspects$vCongresses.
700 1 $aHarris, Jonathan.
710 2 $aTate Gallery Liverpool.
711 2 $aLiverpool Biennial of Contemporary Art$n(2nd :$d2002)
830 0 $aTate Gallery Liverpool critical forum ;$vv. 7.
988 $a20050128
906 $0OCLC