| Record ID | harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:545949528:1181 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:545949528:1181?format=raw |
LEADER: 01181cam a2200301 a 45 0
001 009547426-9
003 OCoLC
005 20050208171115.0
008 040319s2005 nyu b 000 0 eng
010 $a2004006661
020 $a0820470600 (hardcover : alk. paper)
035 0 $aocm54817417
040 $aDLC$cDLC
043 $ae-fr---
050 00 $aPQ528$b.C37 2005
082 00 $a842/.40924$222
100 1 $aCashman, Kimberly,$d1969-
245 10 $aStaging subversions :$bthe performance-within-a-play in French classical theater /$cKimberly Cashman.
260 $aNew York :$bP. Lang,$cc2005.
300 $a150 p. ;$c24 cm.
490 1 $aCurrents in comparative Romance languages and literatures,$x0893-5963 ;$vvol. 134
500 $aBased on the author's thesis (Ph. D.--Rutgers, The State University of New Jersey, 2002) presented under the title: The social order, politics, and gender.
504 $aIncludes bibliographical references (p. [145]-150).
650 0 $aFrench drama$y17th century$xHistory and criticism.
650 0 $aPlay within a play.
830 0 $aCurrents in comparative Romance languages and literatures ;$vv. 134.
988 $a20050208
906 $0DLC