MARC Record from harvard_bibliographic_metadata

LEADER: 01772cam a2200385 a 4500
001 009602563-8
005 20070901123506.0
008 040714s2005 ncuaf b 101 0 eng
010 $a 2004016551
020 $a080782903X (cloth : alk. paper)
020 $a0807855685 (pbk. : alk. paper)
035 0 $aocm55990239
040 $aDLC$cDLC$dDLC$dMH-FA
042 $apcc
043 $ae------
050 00 $aN8520$b.I58 2005
082 00 $a709/.03$222
245 00 $aInventions of the studio :$bRenaissance to Romanticism /$cedited by Michael Cole & Mary Pardo.
246 30 $aRenaissance to Romanticism
260 $aChapel Hill :$bUniversity of North Carolina Press,$cc2005.
300 $a241 p., 8 p. of plates :$bill. (some col.) ;$c25 cm.
440 0 $aBettie Allison Rand lectures in art history
500 $aPapers from a two-day symposium and round-table discussion held at the University of North Carolina at Chapel Hill in April 2001.
505 00 $aOrigins of the studio / Michael Cole and Mary Pardo -- Indoor-outdoor : the studio around 1500 / Christopher S. Wood -- Benedictus Arias Montanus and the virtual studio as a meditative place / Walter S. Melion -- The imagined studios of Rembrandt and Vermeer / H. Perry Chapman -- Creation and death in the Romantic studio / Marc Gotlieb.
504 $aIncludes bibliographical references (p. [213]-233) and index.
650 0 $aArtists' studios$vCongresses.
650 0 $aArtists' studios in art$vCongresses.
650 0 $aStudiolos$vCongresses.
650 0 $aArtists$xPsychology$vCongresses.
650 0 $aArt, European$vCongresses.
700 1 $aCole, Michael Wayne,$d1969-
700 1 $aPardo, Mary.
710 2 $aUniversity of North Carolina at Chapel Hill.
988 $a20050413
906 $0DLC