| Record ID | harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:636467920:1197 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01197cam a2200253 a 4500
001 009677914-4
005 20060320180203.0
008 040614s2005 enk b 001 0 eng
010 $a 2004013785
020 $a0195169336 (hardcover : alk. paper)
035 0 $aocm55671311
040 $aDLC$cDLC$dYDX$dUKM$dHMU
042 $apcc
050 00 $aMT115.B2$bM43 2005
100 1 $aMelamed, Daniel R.
245 10 $aHearing Bach's Passions /$cDaniel R. Melamed.
260 $aOxford ;$aNew York :$bOxford University Press,$c2005.
300 $axi, 178 p. ;$c22 cm.
504 $aIncludes bibliographical references (p. 163-171) and index.
505 0 $aPerforming forces and their significance. Vocal forces in Bach's Passions ; Singers and roles in Bach's Passions -- Passions in performance. The double chorus in the St. Matthew Passion BWV 244 ; Which St. John Passion BWV 245? ; A St. Mark Passion makes the rounds -- Phantom Passions. Parody and reconstruction : the St. Mark Passion BWV 247 ; Bach/not Bach : the anonymous St. Luke Passion BWV 246.
600 10 $aBach, Johann Sebastian,$d1685-1750.$tPassions.
650 0 $aPassion music$xAnalysis, appreciation.
988 $a20050510
906 $0DLC