| Record ID | harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:644097:1582 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01582cam a2200325Ia 45e0
001 009000585-6
005 20051031151053.0
008 021018s2002 enk 000 0 eng d
015 $aGBA2-W8089
020 $a0761965211 (PBK.)$c£13.99
020 $a0761965203
035 0 $aocm52838677
035 0 $aocm50864337
040 $aERL$cERL$dUKM$dCUS
050 00 $aPN1994$b.H266 2002
082 04 $a306.485$221
090 $aPN1995.9.S6$bH37 2002
100 1 $aHarbord, Janet.
245 10 $aFilm cultures /$cJanet Harbord.
260 $aLondon :$bSAGE,$c2002.
300 $a182 p. ;$c24 cm.
504 $aIncludes bibliographical references (p. [164]-176) and index.
520 $aQuestioning how film connects us to social status, and national and global affiliations, this book argues that our tastes for film connect us to social, spatial and temporal networks of exchange and meaning.
505 0 $aAcknowledgements -- Introduction -- 1. Breaking with the aura? : film as object or experience -- 2. Spatial effects : film cultures and sites of exhibition -- 3. Film festivals : media events and spaces of flow -- 4. Marketing films and audiences -- 5. Postmodern praxes : production on the national and global stage -- 6. Aesthetic encounters -- 7. Digitalization and its discontents -- References -- Index.
650 0 $aMotion pictures$xSocial aspects.
650 0 $aMotion pictures.
776 08 $iOnline version:$aHarbord, Janet.$tFilm cultures.$dLondon ; Thousand Oaks : Sage Publications, 2002$w(OCoLC)606831267
988 $a20021209
049 $aHLSS
906 $0OCLC