| Record ID | harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:652903776:1378 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:652903776:1378?format=raw |
LEADER: 01378cam a2200301 a 4500
001 009694502-8
005 20071015210653.0
008 040715s2005 caua b 001 0 eng
010 $a 2004016542
020 $a0520240286 (cloth : alk. paper)
035 0 $aocm55981645
040 $aDLC$cDLC$dYDX$dUKM$dIXA$dOCL$dHMU
042 $apcc
050 00 $aML172$b.B43 2005
100 1 $aBerger, Anna Maria Busse.
245 10 $aMedieval music and the art of memory /$cAnna Maria Busse Berger.
260 $aBerkeley :$bUniversity of California Press,$cc2005.
300 $axvi, 288 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. 255-279) and index.
505 0 $aPrologue : the first great dead white male composer -- The construction of the memorial archive . Tonaries : a tool for memorizing chant ; Basic theory treatises ; The memorization of organum, discant, and counterpoint treatises -- Compositional process in polyphonic music. Compositional process and transmission of Notre Dame polyphony ; Visualization and the composition of polyphonic music.
600 10 $aLudwig, Friedrich,$d1872-1930.
650 0 $aMusic$y500-1400$xHistory and criticism.
650 0 $aMusic$y15th century$xHistory and criticism.
650 0 $aComposition (Music)$xHistory.
650 0 $aMemory.
600 10 $aHandschin, Jacques.
988 $a20050615
906 $0DLC