MARC Record from harvard_bibliographic_metadata

LEADER: 03359cam a22004094a 4500
001 009068472-9
005 20071015210358.0
008 020322s2002 enka b 001 0 eng
010 $a 2002025747
015 $aGBA2-V1460
020 $a0521622190
035 0 $aocm50583145
040 $aDLC$cDLC$dUKM$dPSM$dVVC
042 $apcc
043 $ae-fr---
050 00 $aML3849$b.B97 2002
082 04 $a841.1$221
100 1 $aButterfield, Ardis.
245 10 $aPoetry and music in medieval France :$bfrom Jean Renart to Guillaume de Machaut /$cArdis Butterfield.
260 $aCambridge ;$aNew York :$bCambridge University Press,$c2002.
300 $axx, 375 p. :$bill. ;$c24 cm.
440 0 $aCambridge studies in medieval literature ;$v49
504 $aIncludes bibliographical references (p. 339-360) and indexes.
505 0 $aText and Performance. Song and written record in the early thirteenth century ; The sources of song: chansonniers, narratives, dance-song ; The performance of song in Jean Renart's Rose -- The Boundaries of Genre. The refrain ; Refrains in context: a case study ; Contrafacta: from secular to sacred in Gautier de Coinci and later thirteenth-century writing -- The Location of Culture. 'Courtly' and 'popular' in the thirteenth century ; Urban culture: Arras and the puys ; The cultural contexts of Adam de la Halle: Le jeu de Robin et de Marion -- Modes of inscription. Songs in writing: the evidence of the manuscripts ; Chante/fable: Aucassin et Nicolette ; Writing music, writing poetry: Le Roman de Fauvel in Paris BN fr. 146 -- Lyric and narrative. The two Roses: Machaut and the thirteenth century ; Rewriting song: chanson, motet, salut, and dit ; Citation and authorship from the thirteenth to the fourteenth century -- Envoy: The new art. The Formes fixes: from Adam de la Halle to Guillaume de Machaut.
520 1 $a"In Poetry and Music in Medieval France Ardis Butterfield examines French vernacular song in the Middle Ages. She begins with the moment when French song first survives in writing in the early thirteenth century, and examines a large corpus of works which combine elements of narrative and song, as well as a range of genres which cross between different musical and literary categories. Emphasising the cosmopolitan artistic milieu of Arras, Butterfield describes the wide range of contexts in which secular songs were quoted and copied, including narrative romances, satires and love poems. She uses manuscript evidence to shed light on medieval perceptions of how music and poetry were composed and interpreted. The volume is copiously illustrated to demonstrate the rich visual culture of medieval French writing and music. This interdisciplinary study will be of interest to both literary and musical scholars of late medieval culture."--Jacket.
600 00 $aGuillaume,$cde Machaut,$dapproximately 1300-1377.
650 0 $aMusic and literature.
650 0 $aTroubadour songs$xHistory and criticism.
650 0 $aTrouvère songs$xHistory and criticism.
650 0 $aPoetry, Medieval$xHistory and criticism.
650 0 $aMensural notation.
600 00 $aJean Renart,$dactive 12th century-13th century.
650 0 $aMusic and literature$xHistory$yTo 1500.
655 7 $aCriticism, interpretation, etc.$2fast
655 7 $aHistory.$2fast
988 $a20040224
906 $0DLC