Record ID | harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:734230326:1325 |
Source | harvard_bibliographic_metadata |
Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:734230326:1325?format=raw |
LEADER: 01325cam a2200325Ia 4500
001 009774632-0
005 20061109101348.0
008 050826s2005 gw g b 000 0 ger d
016 7 $a973300175$2GyFmDB
020 $a3826029062 (pbk.)
035 0 $aocm61386550
040 $aOHX$cOHX$dCUY
050 00 $aML3845$b.D296 2005
072 7 $aB$2lcco
072 7 $aML$2lcco
090 $aML3845$b.D35 2005
100 1 $aDammeyer, Albrecht.
245 10 $aPathos, Parodie, Provokation :$bAuthentizität versus Medienskepsis bei Friedrich Nietzsche und Gustav Mahler /$cAlbrecht Dammeyer.
260 $aWürzburg :$bKönigshausen & Neumann,$c2005.
300 $a407 p. :$bmusic ;$c24 cm.
500 $aBased on the author's thesis (doctoral)--Universität, Freiburg (Breisgau), 2003.
504 $aIncludes bibliographical references (p. 393-407).
600 10 $aNietzsche, Friedrich Wilhelm,$d1844-1900$xContributions in music.
600 10 $aMahler, Gustav,$d1860-1911$xCriticism and interpretation.
650 0 $aMusic$xPhilosophy and aesthetics.
650 0 $aAuthenticity (Philosophy)
600 10 $aNietzsche, Friedrich Wilhelm,$d1844-1900.
776 08 $iOnline version:$aDammeyer, Albrecht.$tPathos, Parodie, Provokation.$dWürzburg : Königshausen & Neumann, 2005$w(OCoLC)607723747
988 $a20051011
906 $0OCLC