It looks like you're offline.
Open Library logo
additional options menu

MARC Record from harvard_bibliographic_metadata

Record ID harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:7601801:2920
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:7601801:2920?format=raw

LEADER: 02920cam a2200361 a 45e0
001 009007356-8
005 20041218195211.0
008 020626s2002 mou b s001 0 eng
010 $a 2002027108
020 $a0826214169 (alk. paper)
035 0 $aocm50519077
040 $aDLC$cDLC$dVVC
043 $ae-uk---
050 00 $aPR6013.O35$bZ5968 2002
082 00 $a823/.914$221
100 1 $aCrawford, Paul,$d1963-
245 10 $aPolitics and history in William Golding :$bthe world turned upside down /$cPaul Crawford.
260 $aColumbia :$bUniversity of Missouri Press,$cc2002.
300 $a261 p. ;$c24 cm.
504 $aIncludes bibliographical references (p. 239-254) and index.
505 0 $aIntroduction: the world turned upside down -- Menippean satire, the fantastic, and the carnivalesque -- Literature of atrocity: Lord of the flies and The inheritors -- Self-consciousness and the totalitarian personality: Pincher Martin and Free fall -- Constructions of fiction and class: The spire and The pyramid -- Postmodernity and postmodernism: Darkness visible and The paper men -- Historiographic metafiction, preromanticism, and the ship of fools: To the ends of the earth: a sea trilogy -- Conclusion: socialist subversions? The radical and reactionary in Golding's satire.
520 1 $a"Politics and History in William Golding provides a much needed politicized and historicized reading of William Golding's novels as a counter to previous, universalizing criticism. Paul Crawford argues that an understanding of fantastic and carnivalesque modes in Golding's work is vital if we are to appreciate fully his interrogation of twentieth-century life." "The fantastic and carnivalesque are foundational to both the satirical and nonsatirical approaches that mark Golding's early and late fiction. No previous study has analyzed this structure that is so central to his work. Politics and History in William Golding examines this writer's work more fully than it has been studied within the convoluted context of the last half of the twentieth century. Crawford directly links Golding's various deployments of the fantastic and carnivalesque to historical, political, and social change."--Jacket.
600 10 $aGolding, William,$d1911-1993$xKnowledge$xHistory.
600 10 $aGolding, William,$d1911-1993$xPolitical and social views.
650 0 $aPolitics and literature$zGreat Britain$xHistory$y20th century.
650 0 $aLiterature and history$zGreat Britain$xHistory$y20th century.
650 0 $aHistorical fiction, English$xHistory and criticism.
650 0 $aPolitical fiction, English$xHistory and criticism.
655 7 $aCriticism, interpretation, etc.$2fast
655 7 $aHistory.$2fast
776 08 $iOnline version:$aCrawford, Paul, 1963-$tPolitics and history in William Golding.$dColumbia : University of Missouri Press, ©2002$w(OCoLC)606913319
988 $a20021218
906 $0DLC