Record ID | harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:98340011:1485 |
Source | harvard_bibliographic_metadata |
Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:98340011:1485?format=raw |
LEADER: 01485nam a2200325 a 4500
001 009095275-8
005 20030829182157.0
008 030829s2002 enkac 001 0deng
010 $a 2002112231
015 $aGBA2-V6420
020 $a1854373897
035 0 $aocm50402186
040 $aUKM$cUKM$dOCLCQ$dHKP$dNNU$dMH-FA
043 $ae-uk-en
050 4 $aN6797.L83$bC64 2002
082 04 $a709.2$221
090 $aN6797.L83$bC64 2002
100 1 $aCollings, Matthew.
245 10 $aSL :$bSarah Lucas /$cMatthew Collings.
246 30 $aSarah Lucas
260 $aLondon :$bTate Pub.,$c2002.
300 $a125 p. :$bill. (some col.), ports. (some col.) ;$c27 cm.
440 0 $aModern artists
500 $aIncludes index.
520 1 $a"During a career that has brought her controversy and acclaim in equal measure, Sarah Lucas has made art from the discarded and the unexpected, incorporating such diverse materials as cigarettes, food, second-hand furniture and her own self-image. In the first comprehensive survey of her work, popular writer and broadcaster Matthew Collings explores one of contemporary art's most fascinating figures. New interviews give an insight into the artist's own assessment of her work. With over 100 colour illustrations."--Jacket.
600 10 $aLucas, Sarah,$d1962-
700 1 $aLucas, Sarah,$d1962-
776 08 $iOnline version:$aCollings, Matthew.$tSarah Lucas.$dLondon : Tate Pub., 2002$w(OCoLC)606928072
988 $a20030829
906 $0OCLC