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MARC Record from harvard_bibliographic_metadata

Record ID harvard_bibliographic_metadata/ab.bib.10.20150123.full.mrc:100797103:1304
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.10.20150123.full.mrc:100797103:1304?format=raw

LEADER: 01304cam a22003134a 4500
001 010149234-0
005 20070105125015.0
008 060215s2006 njua b 001 0 eng
010 $a 2006005429
015 $aGBA668179$2bnb
016 7 $a013527084$2Uk
020 $a0691127301 (hardcover : alk. paper)
020 $a9780691127309 (hardcover : alk. paper)
024 3 $a9780691127309
035 0 $aocm64098525
040 $aDLC$cDLC$dBAKER$dUKM$dC#P$dCOO$dGZM$dBTCTA$dYDXCP
042 $apcc
043 $an-us---
050 00 $aML2054$b.M353 2006
082 00 $a792.60973$222
100 1 $aMcMillin, Scott.
245 14 $aThe musical as drama :$ba study of the principles and conventions behind musical shows from Kern to Sondheim /$cScott McMillin.
260 $aPrinceton, N.J. :$bPrinceton University Press,$cc2006.
300 $axvi, 230 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references (p. [213]-219) and index.
505 0 $aIntegration and difference -- The book and the numbers -- Character and the voice of the musical -- The ensemble effect -- The drama of numbers -- The orchestra -- Narration and technology : systems of omniscience -- What kind of drama is this?
650 0 $aMusicals$zUnited States$xHistory and criticism.
988 $a20060817
906 $0DLC