MARC Record from harvard_bibliographic_metadata

LEADER: 01884cam a2200313 a 4500
001 010294705-8
005 20070713155713.0
008 061103s2007 nyu 000 1 eng
010 $a 2006036812
020 $a9780385513845
020 $a0385513844
035 0 $aocm76786580
040 $aDLC$cDLC$dBAKER$dBTCTA$dC#P$dOCLCQ$dYDXCP$dVP@$dBUR$dDLC
043 $ae-uk---
050 00 $aPR6115.Y49$bO67 2007
082 00 $a823/.92$222
100 1 $aOyeyemi, Helen.
245 14 $aThe opposite house /$cHelen Oyeyemi.
250 $a1st U.S. ed.
260 $aNew York :$bNan A. Talese/Doubleday,$cc2007.
300 $a257 p. ;$c22 cm.
520 $aMaja, daughter of a black Cuban couple, was only five years old when the family emigrated to London. Growing up, she speaks Spanish and English, but longs for a connection to her African roots. Now in her early twenties, Maja is haunted by the desire to make sense of the threads of her history; meanwhile, her mother has found comfort in Santería--a faith that melds Catholic saints and the Yoruba gods of West African religion. Maja's narrative is one of two parallel voices in this novel. Yemaya Saramagua speaks from the other side of the reality wall--in the Somewherehouse, which has two doors, one opening to London, the other to Lagos. A Yoruban goddess, Yemaya is troubled by the ease with which her fellow gods have disguised themselves as saints and reappeared under different names and faces. As Maja and Yemaya move closer to understanding themselves, they realize that the journey to discovering where home truly lies is at once painful and exhilarating.--From publisher description.
650 0 $aYoung women$vFiction.
650 0 $aCubans$zGreat Britain$vFiction.
650 0 $aSanteria$vFiction.
650 0 $aSelf-perception$vFiction.
655 7 $aPsychological fiction.$2lcsh
988 $a20070719
906 $0DLC