MARC Record from harvard_bibliographic_metadata

LEADER: 02512cam a2200313 a 4500
001 010376224-8
005 20110714021450.0
008 060629s2007 cau b s001 0 eng
010 $a 2006021749
015 $aGBA711930$2bnb
016 7 $a013672310$2Uk
020 $a9780520247383 (cloth : alk. paper)
020 $a0520247388 (cloth : alk. paper)
020 $a9780520251236 (pbk. : alk. paper)
020 $a0520251237 (pbk. : alk. paper)
035 0 $aocm70230732
040 $aDLC$cDLC$dBAKER$dBTCTA$dUKM$dC#P$dYDXCP$dIXA
050 00 $aPN1998.3.W45$bR67 2007
082 00 $a791.43023/3092$222
100 1 $aRosenbaum, Jonathan.
245 10 $aDiscovering Orson Welles /$cJonathan Rosenbaum.
260 $aBerkeley :$bUniversity of California Press,$cc2007.
300 $aix, 336 p. ;$c23 cm.
504 $aIncludes bibliographical references and index.
505 0 $aI missed it at the movies: objections to "Raising Kane" -- The voice and the eye: a commentary on the Heart or darkness script -- Notes on a conversation with Welles -- First impressions of F for fake -- The butterfly and the whale: Orson Welles's F for fake -- Prime cut (the 107-minute Touch of evil) -- André Bazin and the politics of sound in Touch of evil -- The invisible Orson Welles: a first inventory -- Reviews of biographies by Barbara Leaming and Charles Higham and a critical edition of Touch of evil -- Afterword to The big brass ring, a screenplay by Orson Welles (with Oja Kodar) -- Wellesian: Quixote in a trashcan (New York University Welles Conference) -- Reviews of Citizen Welles and a critical edition of Chimes at midnight -- Review of Orson Welles: A bio-bibliography -- Orson Welles's essay films and documentary fictions: a two-part speculation -- The seven Arkadins -- Othello goes Hollywood -- Truth and consequence: On it's all true: based on an unfinished film by Orson Welles -- Afterword to The cradle will rock, an original screenplay by Orson Welles -- Orson Welles in the U.S.: an exchange with Bill Krohn -- The battle over Orson Welles -- Touch of evil retouched -- Excerpt from "Problems of access: on the trail of some festival films and filmmakers" (On touch of evil) -- Welles in the lime light: The third man -- Orson Welles as ideological challenge -- Orson Welles's purloined letter: F for fake -- When will - and how can - we finish Orson Welles's Don Quixote?
600 10 $aWelles, Orson,$d1915-1985$xCriticism and interpretation.
988 $a20061116
049 $aHLSS
906 $0DLC