Record ID | harvard_bibliographic_metadata/ab.bib.10.20150123.full.mrc:452930202:1607 |
Source | harvard_bibliographic_metadata |
Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.10.20150123.full.mrc:452930202:1607?format=raw |
LEADER: 01607cam a2200265 a 4500
001 010589349-8
005 20071019120228.0
008 070514s2007 nyuaf bq 001 0 eng
010 $a 2007020466
020 $a9780773454101
020 $a0773454101
035 0 $aocn137246003
040 $aDLC$cDLC$dYDX$dBAKER$dBTCTA$dYDXCP$dDLC
050 00 $aPN1995.9.C345$bK47 2007
082 00 $a791.43/6164$222
100 1 $aKerner, Aaron.
245 10 $aRepresenting the catastrophic :$bcoming to terms with "unimaginable" suffering and "incomprehensible" horror in visual culture /$cAaron Kerner ; with a preface by Bill Nichols.
260 $aLewiston :$bEdwin Mellen Press,$cc2007.
300 $av, 316 p., [8] p. of plates :$bcol. ill. ;$c24 cm.
504 $aIncludes bibliographical references (p. 275-301), filmography (p. 303-307) and index.
505 0 $aIntroduction : representing the catastrophic -- Catastrophic history : the qualities of catastrophe -- Witness and the historical process : testifying to the catastrophic -- Allegory : history as palimpsest -- Gojira vs. Godzilla : allegories of the catastrophic event -- Marquis de Sade : the allegoreis of a catastrophic historian -- Pier Paolo Pasolini's Salò : the 120 days of Sodom : cinema that speaks abjection -- Documentary : documenting the catastrophic -- Catastrophic comics -- Conclusion : reconstructing memories.
650 0 $aCatastrophical, The, in motion pictures.
776 08 $iOnline version:$aKerner, Aaron.$tRepresenting the catastrophic.$dLewiston : Edwin Mellen Press, c2007$w(OCoLC)654249812
988 $a20070705
906 $0DLC