Record ID | harvard_bibliographic_metadata/ab.bib.10.20150123.full.mrc:722505608:1585 |
Source | harvard_bibliographic_metadata |
Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.10.20150123.full.mrc:722505608:1585?format=raw |
LEADER: 01585cam a2200349 a 4500
001 010975276-7
005 20070905101420.0
008 960426s1995 bb ab 001 0 eng
010 $a 96142091
020 $a9766400261
020 $a9789766400262
035 0 $aocm35198823
040 $aDLC$cDLC$dNLGGC$dBTCTA
043 $anwtr---
050 00 $aML3486.T7$bS78 1995b
082 00 $a784.6/8$220
084 $a24.65$2bcl
084 $a73.62$2bcl
100 1 $aStuempfle, Stephen.
245 14 $aThe steelband movement :$bthe forging of a national art in Trinidad and Tobago /$cStephen Stuempfle.
260 $aBarbados :$bPress University of the West Indies,$cc1995.
300 $axx, 287 p. :$bill., maps ;$c23 cm.
504 $aIncludes discography (p. 237-238), bibliographical references (p. 239-282) and index.
520 1 $a"Tracing the steelband from the Trinidadian tamboo bamboo band, this chronicle begins in the 1930s with young performers of African descent. In the 1940s, civic leaders gave encouragement, and by independence from Britain in 1962, the steelband had become a national symbol. Details the steelband repertoire, ranging from calypsos to favored European selections"--Handbook of Latin American Studies, v. 58.$uhttp://www.loc.gov/hlas/
650 0 $aSteel bands (Music)$zTrinidad and Tobago$xHistory.
650 0 $aPopular music$zTrinidad and Tobago$xHistory and criticism.
650 17 $aCulturele antropologie.$2gtt
650 17 $aSteelbands.$2gtt
650 17 $aNationale identiteit.$2gtt
988 $a20070905
049 $aHMUU
906 $0DLC