MARC Record from harvard_bibliographic_metadata

LEADER: 02732cam a22003974a 4500
001 010124169-0
005 20061018131645.0
008 060427s2006 enk b 001 0 eng
010 $a 2006014097
020 $a0415324327 (hbk.)
020 $a0415324335 (pbk.)
020 $a0203357027 (ebk.)
024 3 $c9780415324328 (hbk.)
024 3 $c9780415324335 (pbk.)
024 3 $c9780203357026 (ebk.)
035 0 $aocm68133096
040 $aDLC$cDLC$dBAKER$dBWKUK$dYDXCP$dOCLCQ
042 $apcc
050 00 $aPN1995.9.W6$bC495 2006
082 00 $a791.43/015082$222
100 1 $aChaudhuri, Shohini.
245 10 $aFeminist film theorists :$bLaura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed /$cShohini Chaudhuri.
260 $aLondon ;$aNew York :$bRoutledge,$c2006.
300 $ax, 148 p. ;$c21 cm.
440 0 $aRoutledge critical thinkers
504 $aIncludes bibliographical referencesp. [135]-142 and index.
505 0 $aWHY MULVEY, SILVERMAN, DE LAURETIS, AND CREED? Influences -- This book. KEY IDEAS. Beginnings -- The eternal feminine -- Psychoanalysis and feminism -- The tools of film theory -- The male gaze -- Sexual politics -- Lust of the eyes -- The female spectator -- The female voice -- Female confessions -- Fantasies of the maternal voice -- The 'homosexual-maternal fantasmatic' -- Female authorship -- Technologies of gender -- Beyond the paradox of woman -- The technology of sex -- The technology of gender -- Rethinking women's cinema -- Desire in narrative -- Queering desire -- Film and the visible -- Sexual indifference -- Lesian fetishism -- The monstrous-feminine -- The abject -- The archaic mother -- Medusa's head -- The deadly femme castratrice -- Crisis TV -- Masculinity in crisis -- The dominant fiction -- Historical trauma -- The screen and the gaze -- Male masochism -- AFTER MULVEY, SILVERMAN, SE LAURETIS, AND CREED.
520 $aFeminist film theory has been one of the, if not the, most important strands within film theory. Shohini Chaudhuri's book will focus on the work of three leading feminist film theorists - Laura Mulvey, Kaja Silverman and Teresa De Lauretis, whose working (in keeping with the format for generic RCT volumes) represents key schools of thought or emphases within feminist film theory. Key ideas explored through a discussion of the work of these three thinkers include the male gaze, the female voice, technologies of gender, fantasy and body horror, and masculinity in crisis.
650 0 $aFeminism and motion pictures.
650 0 $aFeminist film criticism.
600 10 $aMulvey, Laura.
600 10 $aSilverman, Kaja.
600 10 $aDe Lauretis, Teresa.
600 10 $aCreed, Barbara.
988 $a20060817
906 $0DLC