Record ID | harvard_bibliographic_metadata/ab.bib.10.20150123.full.mrc:76465476:2660 |
Source | harvard_bibliographic_metadata |
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LEADER: 02660pam a2200301 a 4500
001 010124322-7
005 20061012155203.0
008 051004s2006 caua qb 000 0 eng
010 $a 2005029095
020 $a1932907130
035 0 $aocm61879688
040 $aDLC$cDLC$dDLC
042 $apcc
050 00 $aPN1995.5$b.W55 2006
082 00 $a791.43/653$222
100 1 $aWilliams, Stanley D.,$d1947-
245 14 $aThe moral premise :$bharnessing virtue & vice for box office success /$cStanley D. Williams.
260 $aStudio City, CA :$bMichael Wiese Productions,$cc2006.
300 $axxiii, 196 p. :$bill. ;$c23 cm.
504 $aFilmography: p. 165-170.
504 $aIncludes bibliographical references (p. 171-174) and indexes.
520 1 $a"This book explains how the Moral Premise - a statement of truth about the protagonist's physical and psychological predicament - is a fundamental part of every successful movie's structure. It is also a book about how you, a filmmaker or writer, can use the Moral Premise to create great motion pictures that resonate with your audience. If you violate these century-old principles, your film is doomed to failure at the box office. But if you imbue a true moral premise into your characters' arcs, act breaks, photography, music, and other story elements, you're bound for success." "From The Incredibles to Braveheart, significant films understand and embrace this fundamental structural aspect of storytelling. The Moral Premise can entertain, delight, challenge, and uplift this generation and the ones to come. Book jacket."--BOOK JACKET.
505 0 $aPt. 1: History and theory -- Premises and values -- What Socrates and Seinfield have in common -- The moral premise in modern writing guides -- Storytelling's natural law and processes -- Structure of the moral premise -- Identification and the moral premise -- Pt. 2: Application -- Strategic processes -- Step 1: Determine the controlling virtue -- Step 2: Determine the controlling vice -- Step 3: Determine the moral premise -- Step 4: Determine the movie's genre -- Step 5: Determine the protagonist's physical goal -- Step 6: Determine the protagonist's physical obstacles -- Arc plots and major dramatic beats -- Step 7: Determine the major dramatic beats -- Step 8: Sequence the dramatic beats -- Braveheart: a capstone example.
650 0 $aMotion pictures$xMoral and ethical aspects.
650 0 $aMotion picture authorship$xMoral and ethical aspects.
776 08 $iOnline version:$aWilliams, Stanley D., 1947-$tMoral premise.$dStudio City, CA : Michael Wiese Productions, c2006$w(OCoLC)654464429
988 $a20061019
906 $0DLC