| Record ID | harvard_bibliographic_metadata/ab.bib.10.20150123.full.mrc:88867490:1655 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01655cam a22003374a 4500
001 010136567-5
005 20061114124338.0
008 060118s2006 nyu b 001 0 eng c
010 $a 2006001749
015 $aGBA636610$2bnb
016 7 $a013437495$2Uk
020 $a080144411X (cloth : alk. paper)
020 $a9780801444111
035 0 $aocm63122834
040 $aNIC/DLC$cDLC$dBAKER$dUKM$dNLGGC$dC#P$dIG#$dHMU
042 $apcc
043 $ae-ur---
050 00 $aML3917.S65$bT66 2006
100 1 $aTomoff, Kiril.
245 10 $aCreative union :$bthe professional organization of Soviet composers, 1939-1953 /$cKiril Tomoff.
260 $aIthaca, N.Y. :$bCornell University Press,$c2006.
300 $axiv, 321 p. ;$c25 cm.
500 $aOriginally presented as the author's thesis (Ph. D.)--University of Chicago, 2001.
504 $aIncludes bibliographical references (p. 305-311) and index.
505 0 $aThe formation of the Composers' Union, 1932-41 -- Administering the creative process -- Composers on the march, 1941-45 -- Zhdanovshchina and the Ogolevets affair -- Brouhaha! : party intervention and professional consolidation, 1948 -- Anticosmopolitanism and the music profession, 1949-53 -- The results of party intervention -- Muzfond, royalties, and popularity -- Elite hierarchies -- "Most respected comrade-- " : informal networks in the Stalinist music world.
610 20 $aSoi͡uz kompozitorov SSSR$xHistory.
650 0 $aMusic and state$zSoviet Union$xHistory.
650 0 $aMusicians$xLabor unions$zSoviet Union$xHistory.
650 0 $aMusic$zSoviet Union$xHistory and criticism.
988 $a20061025
906 $0OCLC