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Record ID harvard_bibliographic_metadata/ab.bib.10.20150123.full.mrc:98554273:2950
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.10.20150123.full.mrc:98554273:2950?format=raw

LEADER: 02950cam a2200397 a 4500
001 010147096-7
005 20070619145111.0
008 070426s2006 quca b 001 0 eng d
010 $a 2007296692
015 $aGBA699499$2bnb
016 $a20069012385
016 7 $a013586213$2Uk
020 $a9780773531307 (acid-free paper)
020 $a0773531300 (acid-free paper)
035 0 $aocm64670478
040 $aNLC$beng$cNLC$dBAKER$dC#P$dYDXCP$dVVC$dUKM$dDLC
042 $alccopycat
043 $ae-uk---$ab------
050 00 $aDA16$b.C83 2006
082 00 $a941.07$222
100 1 $aCoutu, Joan Michèle,$d1964-
245 10 $aPersuasion and propaganda :$bmonuments and the eighteenth-century British Empire /$cJoan Coutu.
260 $aMontreal ;$aIthaca :$bMcGill-Queen's University Press,$cc2006.
300 $axxix, 465 p. :$bill. ;$c26 cm.
504 $aIncludes bibliographical references (p. [407]-433) and index.
505 0 $aIntroduction -- Display and dynasty -- The colonial trade in monuments -- Heroic imagery? The monument to Wolfe in Westminster Abbey -- Precedents and parallels: the Grenville Commission -- Magnanimity? The bust of George III in Montreal -- Reassurances of liberty: public monuments in the American colonies -- Reassurances of loyalty: public commissions in the West Indies -- India: building as a moral imperative.
520 1 $a"In the eighteenth century sugar planters, merchants, aristocrats, politicians, and governments erected hundreds of commemorative monuments throughout the British Empire as expressions of social status, personal dynasties, territorial occupation, and imperial ambitions. In a culture transformed by the rising merchant class, these monuments - inherently public and hopefully permanent - underscored the economic, political, and cultural complexities of the emerging empire." "Persuasion and Propaganda is the first study of these works of art within the framework of colonial politics and political culture. While examining the rise of the idea of the public in the modern world, Joan Coutu explores how "empire" was constantly being redefined. From private funeral monuments in the West Indies to works erected by the East India Company and the British Parliament, Coutu shows how the youthful British Empire saw itself and validated its mission through sculpture"--BOOK JACKET.
651 0 $aGreat Britain$xColonies$xHistory$y18th century.
650 0 $aMonuments$zGreat Britain$xColonies$xHistory$y18th century.
650 0 $aImperialism$xGovernment policy$zGreat Britain.
650 0 $aSymbolism in politics.
650 0 $aMonuments$xColonies$zGreat Britain$xHistory$y18th century.
650 0 $aImperialism$xGovernment policy$zGreat Britain$xHistory$y18th century.
776 08 $iOnline version:$aCoutu, Joan Michèle, 1964-$tPersuasion and propaganda.$dMontréal : McGill-Queen's University Press, c2006$w(OCoLC)607842601
988 $a20070809
906 $0OCLC