| Record ID | harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:108330231:1373 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:108330231:1373?format=raw |
LEADER: 01373cam a2200313 a 4500
001 011140940-3
005 20070921160322.0
008 060928s2007 enka b 001 0 eng
010 $a 2006032288
015 $aGBA720611$2bnb
016 7 $a013694477$2Uk
020 $a9780754655466 (hardback : alk. paper)
020 $a0754655466 (hardback : alk. paper)
020 $a9780754655480 (pbk. : alk. paper)
020 $a0754655482 (pbk. : alk. paper)
035 0 $aocm71812799
040 $aDLC$cDLC$dBTCTA$dBAKER$dUKM$dYDXCP$dC#P$dHMU
050 00 $aML1380$b.E46 2007
082 00 $a786.7$222
100 1 $aEmmerson, Simon,$d1950-
245 10 $aLiving electronic music /$cSimon Emmerson.
260 $aAldershot, England ;$aBurlington, VT :$bAshgate,$cc2007.
300 $axviii, 195 p. :$bill. ;$c25 cm.
504 $aIncludes bibliographical references (p. [171]-185) and index.
505 0 $aLiving presence -- The reanimation of the world : relocating the 'live' -- The human body in electroacoustic music : sublimated or celebrated? -- 'Playing space' : towards an aesthetics of live electronics -- To input the live : microphones and other human activity transducers -- Diffusion-projection : the grain of the loudspeaker.
650 0 $aElectronic music$xHistory and criticism.
650 0 $aMusic$xPhilosophy and aesthetics.
988 $a20070918
906 $0DLC