| Record ID | harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:154023328:1677 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:154023328:1677?format=raw |
LEADER: 01677cam a2200349 a 4500
001 011191000-5
005 20071003154215.0
008 060614s2007 enka bq 001 0 eng
015 $aGBA6A3003$2bnb
016 7 $a013619429$2Uk
020 $a9781905674138 (pbk.)
020 $a1905674139 (pbk.)
035 0 $aocm76936566
040 $aUKM$cUKM$dBAKER$dBTCTA$dBWKUK$dYDXCP
050 4 $aPN1995.9.D4$bT46 2007
082 04 $a791.436556$222
100 1 $aThompson, Kirsten Moana.
245 10 $aCrime films :$binvestigating the scene /$cKirsten Moana Thompson.
260 $aLondon ;$aNew York :$bWallflower,$c2007.
300 $a142 p. :$bill. ;$c20 cm.
490 1 $aShort cuts ;$v37
504 $aIncludes bibliographical references (p. 127-136) and index.
504 $aIncludes filmography.
505 0 $aIntroduction -- Crime as puzzle: whodunits and heists -- The professional crime solver: from hard-boiled detectives to crusading cops -- The criminal I: erotic thrillers, neo-noir and trial films -- The criminal II: the serial killer film and postmodern hybrids.
520 $a'Crime Films' analyses the wide body of films that fall under the rubric of crime, from the gangster film to the film noir, and from the classic whodunnit to TV series like 'Law and Order' and 'CSI'.
650 0 $aDetective and mystery films$xHistory and criticism.
650 0 $aCrime films$xHistory and criticism.
655 7 $aCriticism, interpretation, etc.$2fast
776 08 $iOnline version:$aThompson, Kirsten Moana.$tCrime films.$dLondon ; New York : Wallflower, 2007$w(OCoLC)608203093
830 0 $aShort cuts (London, England) ;$v37.
988 $a20071003
906 $0OCLC