| Record ID | harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:212091157:2624 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:212091157:2624?format=raw |
LEADER: 02624cam a2200289 a 4500
001 011260000-X
005 20071115155534.0
008 060927s2007 enkag bk 001 0 eng
010 $a 2006032277
015 $aGBA6A0533$2bnb
016 7 $a013613136$2Uk
020 $a9780754654452 (alk. paper)
020 $a0754654451 (alk. paper)
035 0 $aocm71812796
040 $aDLC$cDLC$dUKM$dOCL$dBTCTA$dBAKER$dBWKUK$dYDXCP$dHMU
050 00 $aML410.B4968$bB47 2007
082 00 $a784.18/94$222
245 00 $aBerio's Sequenzas :$bessays on performance, composition and analysis /$cedited by Janet K. Halfyard ; with an introduction by David Osmond-Smith.
260 $aAldershot, England ;$aBurlington, VT :$bAshgate,$cc2007.
300 $axxii, 306 p. :$bill., music ;$c24 cm.
504 $aIncludes bibliographical references (p. [291]-298) and index.
504 $aIncludes discography.
505 0 $aPt. 1 : Performance issues. Rhythm and timing in the two versions of Berio's Sequenza I for flute solo : psychological and musical differences in performance / Cynthia Folio and Alexander R. Brinkman ; Rough romance : Sequenza II for harp as study and statement / Kirsty Whatley ; Phantom rhythms, hidden harmonies : the use of the Sostenuto pedal in Berio's Sequenza IV for piano, Leaf and Sonata / Zoe Browder Doll ; A dress or a straightjacket? Facing the problems of structure and periodicity posed by the notation of Berio's Sequenza VII for oboe / Patricia Alessandrini ; Shadow boxing : Sequenza X for trumpet and piano resonance / Jonathan Impett -- Pt. 2 : Berio's compositional process and aesthetics. Provoking acts : the theatre of Berio's Sequenzas / Janet K. Halfyard ; The Chemins series / Paul Roberts ; The compass of communications in Sequenza VIII for violin / Eugene Montague ; Sequenza IX for clarinet : text, pre-text, con-text / Andrea Cremaschi ; Proliferations and limitations : Berio's reworking of the Sequenzas / Edward Venn -- Pt. 3 : Analytical approaches. Vestiges of twelve-tone practice as compositional process in Berio's Sequenza I for solo flute / Irna Priore ; Sonic complexity and harmonic syntax in Sequenza IV for piano / Didier Guigue and Marcílio Fagner Onofre ; The nature of expressivity in Berio's Sequenza VI for Viola / Amanda Bayley ; A polyphonic type of listening in and out of focus : Berio's Sequenza XI for Guitar / Mark D. Porcaro ; ...and so a chord consoles us : Berio's Sequenza XIII (Chanson) for accordion / Thomas Gartmann.
600 10 $aBerio, Luciano,$d1925-2003.$tSequenzas.
700 1 $aHalfyard, Janet K.,$d1966-$4edt
988 $a20071009
906 $0DLC